Q&AA: Dawn Ostroff Has Some Thoughts for Video Pivoters

In a year when publishers have been talking about the "pivot to video," Cond Nast has some hard-won lessons to impartfor example, success in video can have less to do with quick-hit food clips than TV and even movie-length fare. Today, Cond Nast Entertainment is garnering a billion monthly views on its digital videos, Emmy and Oscar nods for its expensive efforts in TV and movies and, since last year, actual profits to top it off.To be fair, it's taken a while to get here: TV veteran Dawn Ostroff was tapped to lead the newly created division as its president six years ago. Only this fall did it achieve wide theatrical release for a feature film, the firefighting movie "Only the Brave." The division has another 35 films in various stages of development, including "The Old Man and the Gun," which Robert Redford has said will be one of his final roles, and "King of the Jungle," set to star Johnny Depp. Other work includes "Last Chance U" on Netflix, "Vanity Fair Confidential" on Investigation Discovery and "Invisible," a supernatural series shot in VR.Ostroff, who had a hand in generation-defining TV hits like "Gossip Girl" when she was entertainment president at The CW, talked with Ad Age about the real value of video, the whims of Facebook, aging TV audiences and finding the next "Gossip Girl." Our conversation has been edited. Continue reading at AdAge.com Continue reading at 'Advertising Age'

[ Advertising Age | 2017-12-21 00:00:00 UTC ]
News tagged with: #feature film #work includes #gossip girl

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‘It’s our lifeblood:’ How publishers meet the video challenge in 5 charts

The biggest question for publishers prioritizing video isn’t Snapchat or Facebook Live, it’s simple economics. How many bodies can an organization throw at production and still keep the lights on? Digital publishers are struggling to square demand for video with the bottom line. Five charts that... Continue reading at Digiday

[ Digiday | 2017-01-31 00:00:00 UTC ]
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How a football publisher repurposed one event’s worth of video for 4 different platforms

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[ Digiday | 2017-01-19 00:00:00 UTC ]
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From live video to VR: How publishers are tackling the inauguration

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[ Digiday | 2017-01-19 00:00:00 UTC ]
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Snapchat Is Now Pitching Brands on Sequential Video Ads

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[ AdWeek | 2017-01-19 00:00:00 UTC ]
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Facebook stops paying publishers to stream live video

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[ Engadget | 2017-01-17 00:00:00 UTC ]
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‘Consumers will rebel’: Publishers face creative challenges with Facebook’s mid-roll video ads

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[ Digiday | 2017-01-13 00:00:00 UTC ]
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[ Digiday | 2017-01-13 00:00:00 UTC ]
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Facebook Is Testing Out Mid-Roll Ads to Further Boost Its Video Revenues

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[ AdWeek | 2017-01-10 00:00:00 UTC ]
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Instagram Is Testing Mid-Roll Video Ad Pop-Ups In Stories

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[ Advertising Age | 2017-01-10 00:00:00 UTC ]
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[ Engadget | 2016-12-29 00:00:00 UTC ]
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Ready for a language lesson? Video shows you how to say 'Merry Christmas' in many languages

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[ Los Angeles Times | 2016-12-25 00:00:00 UTC ]
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IAB Announces Schedule for 2017 Digital Video NewFronts

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[ AdWeek | 2016-12-14 00:00:00 UTC ]
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The Washington Post Is Marketing Itself to Brands as a Testing Ground for Video Ads

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[ AdWeek | 2016-12-09 00:00:00 UTC ]
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Netflix Launches Video Previews: How The Company Landed On Its Biggest Redesign Ever

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[ Fast Company | 2016-12-06 00:00:00 UTC ]
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[ Digiday | 2016-12-06 00:00:00 UTC ]
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[ Digiday | 2016-12-06 00:00:00 UTC ]
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FutureBook: Video is key in fast-moving world, says Whatley

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[ The Bookseller | 2016-12-03 00:00:00 UTC ]
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How Publishers Pivoted to Meet FTC’S Native Guidelines

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