Translation in Service of More Empathy, Less Fear: A Conversation with Megan McDowell, by Veronica Esposito

Interviews Veronica Esposito Photo by Camila Valdés Megan McDowell has translated many contemporary authors from Latin America and Spain, including Alejandro Zambra, Samanta Schweblin, and Lina Meruane. Shortlisted for the Man Booker International Prize, her translations have been published in the New Yorker, Tin House, the Paris Review, Harper’s, and McSweeney’s, among others. Veronica Esposito: As a translator, you’ve primarily worked with writers from Chile and Argentina, a region with a very rich literary history, and you are the primary translator for two of the standout authors to recently emerge from the Southern Cone—Alejandro Zambra and Samanta Schweblin. What is special about this region and its literatures? Megan McDowell: I’m not an academic or a critic, so I’m very reluctant to try to draw connecting lines through the literary histories of countries I live in but that aren’t mine. Every time I make a generalization, all the exceptions spring to mind. But, my assumptions or predispositions go something like this: Chilean writers tend to look inward, to play with autofiction, to write the domestic and the personal. Argentine writers tend toward the surreal, toward madness and fantasy and the uncanny. Both, I think, can get pretty experimental with form. Both have histories of dictatorship and state violence, which can rear its head in fictions in various ways. If you look at the writers I’ve translated, these... Continue reading at 'World Literature Today'

[ World Literature Today | 2020-06-22 15:20:00 UTC ]

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The Magazine Explaining America to the French

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