Interviews Barbara Epler started working at New Directions after graduating from college in 1984, and she has been its president and publisher since 2011. In 2015 Poets & Writers awarded Epler their Editor’s Prize, and in 2016 Words Without Borders gave her the Ottaway Award for the Promotion of International Literature. Veronica Esposito: You became editor-in-chief with New Directions almost twenty-five years ago, in 1996. What are some of the biggest changes in the translation world since then? Barbara Epler: Without yet being a large enough share of what’s published in America overall, there has been a great growth in the amount and quality of translations appearing here. To my mind, that’s due mostly to two factors: a miraculous growth in new companies here (mostly small and agile) largely or entirely devoted to translated literature, as well as a sort of general cultural nausea about how parochial the USA tends to be. Back in the mid-1990s, great groundbreaking presses interested in translation were fairly thin on the ground. We did not yet have Archipelago, And Other Stories, Deep Vellum, Fence, Dorothy Project, New Vessel, Restless, Nightboat, New York Review of Books Classics, Open Letter, Other Press, Two Lines, Tilted Axis, Ugly Duckling, Wakefield, Wave, and more (apologies to houses I am forgetting!). Back in 1996, all these marvelous publishers were still a gleam in their founders’ eyes. Of course, back then... Continue reading at 'World Literature Today'
[ World Literature Today | 2021-01-11 14:39:22 UTC ]
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Madeline McIntosh, Nina von Moltke, and Don Weisberg—most recently at Penguin Random House US and Macmillan, respectively—have joined forces to form a new publishing company. As its name implies, the publisher will operate outside of traditional publishing business models. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-05 05:00:00 UTC ]
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In 2022 my first novel, Save the Village, found its home with Regal House, a mighty little woman-owned traditional independent publisher that prints all its books in the US and has a nonprofit division that works with underserved students around Raleigh, where they’re headquartered. Regal House,... Continue reading at Literrary Hub
[ Literrary Hub | 2024-03-04 09:53:54 UTC ]
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Angel City Press in Los Angeles has long published local authors. In a bold move, its founders are now giving the press to the city’s public library. Continue reading at The Christian Science Monitor
[ The Christian Science Monitor | 2024-02-28 15:49:05 UTC ]
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Portland, Ore.’s Microcosm Publishing is rolling out WorkingLit, a cloud-based system intended to help small independent publishers streamline their product databases, manage orders, complete accounting and invoicing tasks, and calculate royalties. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-28 05:00:00 UTC ]
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The biennial Novel Prize comes with a $10,000 purse and simultaneous publication in North America, by New Directions; the U.K. and Ireland, by Fitzcarraldo; and Australia and New Zealand, by Giramondo. In a twist, this year, the three publishers crowned two winners. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-28 05:00:00 UTC ]
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Atria Books will launch a new imprint, Primero Sueño Press, dedicated to publishing Latinx/Latine/Hispanic authors in both English and Spanish. Michelle Herrera Mulligan, v-p and associate publisher at Atria, will lead the imprint. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-28 05:00:00 UTC ]
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The U.K. Publishers Association’s CEO says that the U.S. and British industries have shared interests—even as they compete for rights and market share. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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Paul, whose career in Christian publishing spanned more than four decades, was an executive editor at Thomas Nelson. He died on February 6. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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British publishers discuss how transatlantic collaboration can boost books’ performance and the work it takes to maintain mutually beneficial relationships. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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Watkins Media’s head of marketing says that its unique titles, which span many categories—including the occult several countercultures—are finding success in the U.S. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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At 50, the U.K. press is growing its list and expanding into new formats, all while keeping a sharp focus on libraries. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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The London indie press started with a focus on nonfiction, but in the past decade has published three Booker-winning novels. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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An independent publisher considers the challenges and opportunities for small presses in her home market. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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The British illustrated reference publisher continues to reinvent itself a half-century on—and has used the milestone of the anniversary as catalyst for examining new opportunities. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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A U.S.-based publishing exec for John Murray Press offers five pieces of advice on working with colleagues in the U.K. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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The managing director of the publishing startup describes her disruptive agenda and promises a list of "strong, game-changing voices." Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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An independent publisher considers the challenges and opportunities for small presses in her home market. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-02-23 05:00:00 UTC ]
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