Biting Into the Post-Cookie Era

My former colleague and long-time min editor Steve Cohn was fond of characterizing the magazine industry as a “people business.” I believe he meant a number of things. On the most basic, transactional level, much of the trade was centered around a small patch of Manhattan real estate where everyone seemed to know one another, and regularly ran into each other at any number of watering holes or subway stops. A lot of large and small things got done in these sometime impromptu meet-ups. People were hired, companies merged, stories were given inspiration and later written and jealousies were stoked just by the core intimacy of the industry. But on another level, the “people business” of magazines was about creating a real connection with our audiences. The great periodicals of pre-mass circulation America like The Atlantic, Harper’s and Scribner’s spoke directly to the “gentle reader” in their pages. This highly personal mode of address carried over into the more raucous golden age of mass-consumer magazines in the tradition of the “letter” from the publisher or editor that opens most print magazines to this day. It's hard to imagine in the age of streaming video and algorithm-driven media rabbit holes. Today, subscribers have been largely replaced by eyeballs, where readers are “users” and where audiences are “data.” Let’s not mince words: the very nomenclature of digital media has always carried with it a tendency to dehumanize and mechanize the people on the other side... Continue reading at 'Folio Magazine'

[ Folio Magazine | 2020-01-23 15:41:48 UTC ]
News tagged with: #long term #ad tech #digital media

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Quarto Posts Profit in 2019, Outlook for 2020 Uncertain

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[ Publishers Weekly | 2020-04-24 04:00:00 UTC ]
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[ Los Angeles Times | 2020-04-17 15:25:14 UTC ]
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Paulette Jiles returns to the Civil War era with the romantic western ‘Simon and the Fiddler’

The novel is sweeter than Jiles’s previous work but no less attentive to the texture of the American Southwest. Continue reading at The Washington Post

[ The Washington Post | 2020-04-14 15:57:54 UTC ]
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You've got mail! The New York paper sending you artworks in the post

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[ The Guardian | 2020-04-07 12:08:05 UTC ]
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W H Smith to raise cash as coronavirus bites

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[ The Bookseller | 2020-04-05 20:57:09 UTC ]
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In ‘House of Glass,’ Hadley Freeman unearth’s the World War II-era secrets of her family’s past

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[ The Washington Post | 2020-03-30 21:52:58 UTC ]
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Racing Post Launches Digital Version After Coronavirus Puts Paper on Hold

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[ Editor & Publisher | 2020-03-27 22:22:30 UTC ]
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Denwood looks to the next generation in new post at S&S Children’s Books

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[ The Bookseller | 2020-03-27 05:21:13 UTC ]
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Racing Post to temporarily suspend publication of print edition

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[ The Guardian | 2020-03-25 17:30:32 UTC ]
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Quarto 'pleased' to post 2019 profit, but pandemic forces cost-cutting measures

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[ The Bookseller | 2020-03-25 02:44:11 UTC ]
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[ The Washington Post | 2020-03-20 12:00:00 UTC ]
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[ Publishers Weekly | 2020-03-14 04:00:00 UTC ]
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‘My Dark Vanessa’ is being described as ‘Lolita’ for the #MeToo era. It’s more than that.

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[ The Washington Post | 2020-03-09 16:51:57 UTC ]
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Digiday Publishing Summit Europe Event Briefing: Life after the cookie

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[ Digiday | 2020-03-06 05:01:14 UTC ]
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Wiley Posts Q3 Gains in Sales, Earnings

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[ Publishers Weekly | 2020-03-04 05:00:00 UTC ]
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[ The Guardian | 2020-02-23 09:00:48 UTC ]
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Septemberland, How to Find Your Way in a Post-9/11 Dystopian World

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[ Los Angeles Review of Books | 2020-02-15 18:00:32 UTC ]
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[ The Washington Post | 2020-02-13 16:43:27 UTC ]
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[ Digiday | 2020-01-29 05:01:53 UTC ]
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[ The Washington Post | 2020-01-21 17:04:44 UTC ]
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