The Digital Double Standard

Here's the way I see it: The difference between old and new media publishers (or traditional and digital-native publishers, if you prefer) is that, while both struggle to stay afloat, some new media companies just don't quite realize it yet.I've been thinking about the economics of all publishing in recent weeks as more and more bad news has come out of medialand. Cond Nast, for instance, announced it was shuttering the print edition of Teen Vogue and cutting back the frequency of many of its glossies (e.g., Architectural Digest and GQ will go from 12 issues per year to 11).There was also some extreme bad news that came out of the digital-native world: Local news sites DNAinfo and Gothamist (which DNAinfo had acquired only in March) abruptly shut down. But the bottom line there was obscured by some high drama. Continue reading at AdAge.com Continue reading at 'Advertising Age'

[ Advertising Age | 2017-11-13 00:00:00 UTC ]

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[ Digiday | 2016-02-10 00:00:00 UTC ]
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IEEE: 2016 will be the year of the drone, but there's bad news for MP3 players, digital cameras, and wearables

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[ Betanews | 2016-01-21 00:00:00 UTC ]
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Shamsie: 'Publishers not investing in author careers'

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Scribd, Citing Profitability, Cuts Back on Love and Sex

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[ Publishing Perspectives | 2015-07-02 00:00:00 UTC ]
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Apple DID conspire to inflate ebook prices, must pay $450 million

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[ Betanews | 2015-06-30 00:00:00 UTC ]
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Waterstones' core Christmas sales up 5%

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Layoffs, Reshuffling Begin at Conde Nast

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Target Mobilizes Back-to-School Print Campaign With Image Recognition

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Condé Nast Entertainment Debuts The Scene

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BEA 2014: Good News, Bad News at Town Hall

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BEA 2014: Tristan’s Expansion

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[ Publishers Weekly | 2014-02-14 00:00:00 UTC ]
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[ Advertising Age | 2014-02-06 00:00:00 UTC ]
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There's lots to like at Upworthy, but not much to read

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