Movie ad seller National CineMedia launching high-end theater network LuxeNet

In a push to lure high-end brands to the cinema advertising circuit, National CineMedia announced today the launch of LuxeNet, a portfolio of 130 of its premium movie theaters in high-income areas of key U.S. cities. According to Nielsen data, NCM is the country’s most prominent cinema advertising group, reaching an estimated 750 million moviegoers annually across more than 1,700 total theaters.  Operated by NCM’s partners including AMC, Cinemark and Regal Entertainment Group, the LuxeNet set of theaters will feature everything from luxury seating to dine-in and bar options, and largely skewed to court a wealthier clientele who may be more inclined to drop some serious cash on pricey products. With the average household income for an NCM patron clocking in at $85,400—nearly $20,000 more than that of the average primetime television viewer—the company and its advertisers are able to tap into two coveted, increasingly critical targets: HNWs (High Net Worth individuals) and HENRYs (High-Earners-Not-Rich-Yet). In addition, NCM data shows approximately 70 percent of their audience members go shopping either before or after a movie. “There are a lot of high-end brands that look for high-end audiences. We wanted to create something specifically for them,” says NCM’s chief revenue officer Scott Felenstein, who helped engineer the LuxeNet concept over the past few months. “Once we build the audience, it gives us an opportunity to talk to brands.” Felenstein, a former... Continue reading at 'Advertising Age'

[ Advertising Age | 2019-07-24 14:06:00 UTC ]

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'Highly concerning': picture books bias worsens as female characters stay silent

Guardian research shows that the top 100 illustrated children’s books last year showed growing marginalisation of female and minority ethnic charactersThe most popular picture books published in 2018 collectively present a white and male-dominated world to children, feature very few BAME (black,... Continue reading at The Guardian

[ The Guardian | 2019-06-13 05:00:18 UTC ]
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Peter Mayer, Publisher of the Incendiary ‘Satanic Verses,’ Dies at 82

Peter Mayer in the late 1990s at the Overlook Press in Manhattan, where he published out-of-print books. “The real issue ought to be, is the book readable, is it valuable, is it good?” he said. “Who cares if it’s old or new?” Continue reading at The New York Times

[ The New York Times | 2018-05-12 00:00:00 UTC ]
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Amazon refreshes Kindle Oasis e-reader with larger screen and waterproofing

While you can read ebooks on Android tablets and iPad devices, you really shouldn't. These screens can strain your eyes, causing discomfort and creating a negative experience. Not to mention, if you tend to read outdoors, the glare can be unbearable. Instead, an e-ink reader is the best option.... Continue reading at Betanews

[ Betanews | 2017-10-12 00:00:00 UTC ]
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Time Inc. Acquires Ad-Tech Company Adelphic to Beef Up Programmatic Advertising

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[ AdWeek | 2017-01-24 00:00:00 UTC ]
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Snapchat's Latest Moves Are Making It Look More Like a TV Disrupter Than a Social App

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[ AdWeek | 2016-12-12 00:00:00 UTC ]
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Cunningham auctions personal Beedle The Bard edition

Chicken House m.d. Barry Cunningham, the man who acquired the manuscript for J K Rowling's Harry Potter and the Philosopher’s Stone in the late 1990s, is selling his unique edition of The Tales of Beedle the Bard at Sotheby’s. Continue reading at The Bookseller

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News Corp is testing a homegrown content recommendation tool

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[ Digiday | 2016-09-23 00:00:00 UTC ]
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[ Betanews | 2016-09-08 00:00:00 UTC ]
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[ The Bookseller | 2015-12-04 00:00:00 UTC ]
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October Was Broadcast TV's Best Advertising Month Since January 2014

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[ AdWeek | 2015-11-18 00:00:00 UTC ]
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Canon’s New Camera Ads Focus on People, Not Products

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[ AdWeek | 2014-10-07 00:00:00 UTC ]
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New mobile app for Milwaukee taxis challenges disruptive competitors

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[ Silicon Valley Business Journal | 2014-06-26 00:00:00 UTC ]
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Building The Next Pixar

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[ Fast Company | 2014-03-26 00:00:00 UTC ]
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[ Publishers Weekly | 2012-02-10 00:00:00 UTC ]
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[ AdWeek | 2012-02-06 00:00:00 UTC ]
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