Indonesia is the country of focus at the London Book Fair this year and recently at Frankfurt - to what extent do you think Indonesian literature is finally having it's moment in the spotlight? I cannot say for certain what these one-off ‘spotlights’ on Indonesian literature would mean for Indonesian literature in the long term. But it is an encouraging sign; the relatively short three-and-a-half-year gap between Frankfurt Book Fair (FBF) 2015 and London Book Fair (LBF) 2019 means we are still—or possibly even more—interesting to the publishing industry. And while I wish more Indonesian writers are being translated into English—and translated well—some of us are starting to break through internationally. It always takes one or two to pave the way. For me personally, FBF was a game changer in many ways. Before that we didn’t have the publishing infrastructure necessary with which to promote our literature abroad. We didn’t have literary agents – in fact I only knew of one, and he used to work for my Indonesian publisher Gramedia. It was he who took a chance on the English version of my first novel, Amba/The Question of Red, and brought it to Frankfurt Book Fair in 2013, where the novel was picked up by Ullstein Verlag and published in Germany in 2015, ahead of the FBF. So I was very fortunate. A few months later, I landed a literary agent in New York, through whom I managed to sell world rights to other European markets. Later this year, I signed up with another literary... Continue reading at 'British Council global'
[ British Council global | 2019-02-08 10:06:53 UTC ]
Owen Nicholls’ debut novel is chock-full of movie references, but he delves deeply into the intricacies of maintaining a relationship. Continue reading at The Christian Science Monitor
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London Book Fair organiser Reed Exhibitions has faced criticism after offering just 60% of fees back to some participating publishers and agents following this year's cancelled event. Continue reading at The Bookseller
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Egmont has snapped up world rights to a picture book of Matt Lucas' coronavirus version of his charity comedy single, "Thank You, Baked Potato", with proceeds for the book going to his #FeedNHS campaign. Continue reading at The Bookseller
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RELX, whose Reed Exhibitions business organises the London Book Fair and BookExpo, has published a trading statement revealing exhibitions are being "impacted significantly" by the coronavirus outbreak, making the group's outlook for the year as a whole "highly uncertain". Continue reading at The Bookseller
[ The Bookseller | 2020-04-08 07:29:50 UTC ]
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At once subversive and searching, the debut novel focuses on two sisters on the run whose roots lie in an unnamed country “from beyond the ocean.” Continue reading at The Washington Post
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Kawai Strong Washburn’s debut novel envisions an archipelago of Indigenous peoples who refuse to be erased. Continue reading at The New York Times
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The debut novel intersperses the story of a tech reporter in Silicon Valley with Facebook posts, tweets, Google results and other fragments. Continue reading at The Washington Post
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Do writers need literary agents to get published and find success with their writing? Are there times when getting an agent doesn't make sense? We answer these questions here. The post Do Writers Need Literary Agents? by Robert Lee Brewer appeared first on Writer's Digest. Continue reading at Writer's Digest
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In Megan Giddings’s debut novel Lakewood, desperation leads to a loss of self in a capitalist medical system bent on taking advantage of Black people and their bodies. After the death of her grandmother, Lena, a college student struggling with overwhelming medical debt and taking care of her... Continue reading at Electric Literature
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Niki Chang is leaving The Good Literary Agency (TLGA) to join David Higham Associates (DHA) in April as a literary agent. Continue reading at The Bookseller
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