The highest form of flattery? In praise of plagiarism

Echoes of Amélie in Guillermo del Toro’s The Shape of Water, traces of Nabokov in Kristen Roupenian’s Cat Person ... Where is the line between influence and plagiarism?The age of the internet, where everything is connected, has made plagiarism both easier to commit and more difficult to hide, as many a student has discovered. It has also exposed writers to new levels of examination, such as the recent allegations that Emma Cline, author of the best-selling novel The Girls, took ideas for the book from her ex-boyfriend’s emails, and the various claims that Guillermo del Toro’s Oscar contender, The Shape of Water, is based on a 1969 play, Let Me Hear You Whisper, or has copied scenes from two French films, Amélie and Delicatessen – allegations which Del Toro, or his representatives, have denied.Two short stories published in the past few months also raise contemporary, as well as age-old, questions about influence and debt in works of fiction. Where exactly is the line between homage, reference, fair borrowing, and plagiarism? And is acknowledging such debts enough – or necessary?Writers of fiction can be more coy, less willing to own up to their debts, than other artists Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2018-02-24 00:00:00 UTC ]
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