Echoes of Amélie in Guillermo del Toro’s The Shape of Water, traces of Nabokov in Kristen Roupenian’s Cat Person ... Where is the line between influence and plagiarism?The age of the internet, where everything is connected, has made plagiarism both easier to commit and more difficult to hide, as many a student has discovered. It has also exposed writers to new levels of examination, such as the recent allegations that Emma Cline, author of the best-selling novel The Girls, took ideas for the book from her ex-boyfriend’s emails, and the various claims that Guillermo del Toro’s Oscar contender, The Shape of Water, is based on a 1969 play, Let Me Hear You Whisper, or has copied scenes from two French films, Amélie and Delicatessen – allegations which Del Toro, or his representatives, have denied.Two short stories published in the past few months also raise contemporary, as well as age-old, questions about influence and debt in works of fiction. Where exactly is the line between homage, reference, fair borrowing, and plagiarism? And is acknowledging such debts enough – or necessary?Writers of fiction can be more coy, less willing to own up to their debts, than other artists Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2018-02-24 00:00:00 UTC ]
Emma Cline’s ‘The Girls’ is more than a cult hit, debuting at #5 on our Hardcover Fiction list. Plus the Tony Awards boost the already-strong sales of ‘Hamilton'-related titles, books about dads and granddads have a happy Father’s Day, and much more. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-06-24 00:00:00 UTC ]
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Emma Cline's story of a teenage girl in thrall to a cult in 1960s California, The Girls, is set to be one of the biggest débuts of the year. Continue reading at The Bookseller
[ The Bookseller | 2016-05-28 00:00:00 UTC ]
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There are a lot of heavy hitters at this year's BEA, but four titles consistently came up in conversations with book buyers: Colson Whitehead's 'The Underground Railroad,' 'The Nix' by Nathan Hill, 'Commonwealth' by Ann Patchett, and 'The Girls' by Emma Cline. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-05-12 00:00:00 UTC ]
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