Marisa Crane’s debut novel I Keep My Exoskeletons to Myself is set outside of our reality: in an America where a cruel form of public shaming has taken the place of prisons. In Exoskeletons we meet Kris, a new mother struggling to see a future for herself and her kid in the wake of her partner’s […] The post In “I Keep My Exoskeletons to Myself,” a Cruel Form of Public Shaming Has Replaced Prisons appeared first on Electric Literature. Continue reading at 'Electric Literature'
[ Electric Literature | 2023-02-07 12:00:00 UTC ]
Mieko Kawakami, whose poignant and pointed debut novel Breasts and Eggs is this season’s LARB’s Book Club selection, joins Medaya Ocher and Boris Dralyuk to discuss her career as a musician, poet, blogger, and author, the challenges facing women around the world, the state of Japanese... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2020-07-24 17:23:00 UTC ]
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Emma Gannon is releasing a four-part series of podcasts to mark the publication of her debut novel Olive (HarperCollins). Continue reading at The Bookseller
[ The Bookseller | 2020-07-23 16:12:33 UTC ]
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Today, Simon and Schuster announced that their imprint Scribner will be publishing the debut novel for adults from #1 New York Times bestselling children’s book author Jason Reynolds, whose books include Look Both Ways and Ghost, both finalists for the National Book Award for Young People’s... Continue reading at Literrary Hub
[ Literrary Hub | 2020-07-22 16:30:17 UTC ]
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Jonathan Cape has scooped an “exceptional” debut novel from journalist and former Waterstones bookseller Jo Hamya. Continue reading at The Bookseller
[ The Bookseller | 2020-07-21 17:27:41 UTC ]
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Rachel Neely, commissioning editor at Trapeze, has made her first acquisition for the company with debut novel Wet Paint by Chloë Ashby. Continue reading at The Bookseller
[ The Bookseller | 2020-07-21 15:42:11 UTC ]
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At Electric Literature, Ann and Jeff VanderMeer take a look at fantasy’s impact on comtemporary pop culture, in their introduction to the new collection, The Big Book of Modern Fantasy. “Fantasy becomes something of use to a writer to make a political or social statement,” they write. “It’s not... Continue reading at The Millions
[ The Millions | 2020-07-20 20:30:05 UTC ]
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The following is the introduction to The Big Book of Modern Fantasy, edited by Ann and Jeff VanderMeer, to be published by Vintage Books on July 21, 2020. Introduction copyright (c) 2020 by VanderMeer Creative, Inc. Fantasy is a broad and various category that on the one hand can feature... Continue reading at Electric Literature
[ Electric Literature | 2020-07-16 11:00:00 UTC ]
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Hodder & Stoughton has pre-empted a debut novel from Gleam Titles agent Abigail Bergstrom, an upmarket commercial fiction book she originally submitted under a pseudonym. Continue reading at The Bookseller
[ The Bookseller | 2020-07-14 21:54:03 UTC ]
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And Other Stories is set to publish the debut novel of British poet and former human rights lawyer Mona Arshi. Continue reading at The Bookseller
[ The Bookseller | 2020-07-13 11:07:20 UTC ]
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Set in Atlantic City in the 1930s, Rachel Beanland’s debut novel wades through heartbreak. Continue reading at The New York Times
[ The New York Times | 2020-07-07 09:00:11 UTC ]
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Bloomsbury editor-in-chief Paul Baggaley has acquired an "extraordinarily prescient" debut novel by Sequoia Nagamatsu, How High We Go in the Dark. Continue reading at The Bookseller
[ The Bookseller | 2020-07-06 10:17:28 UTC ]
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There’s no doubt COVID-19 has forever changed the world as we know it. A small slice of life that had to shift trajectory is the publishing industry. Debut authors are especially struggling as the books they have worked on for countless years are released into a world without in-person book... Continue reading at Electric Literature
[ Electric Literature | 2020-06-30 11:00:00 UTC ]
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The author’s debut novel presciently captures the girlboss era right as it seems to be coming to an end. Whether you loved them or hated them, few entrepreneurs generated more buzz in the 2010s than so-called “girlbosses”—young, mostly white, female founders who disrupted industries including... Continue reading at Fast Company
[ Fast Company | 2020-06-30 05:00:00 UTC ]
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Candice Carty-Williams and Bernardine Evaristo take book of the year and author of the year categories, as publishers face criticism for treatment of black authorsCandice Carty-Williams and Bernardine Evaristo have become the first black authors to win the top prizes at the British Book awards,... Continue reading at The Guardian
[ The Guardian | 2020-06-29 17:45:42 UTC ]
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“Fleabag” star Sian Clifford is narrating the audiobook of Olive, the debut novel by author and broadcaster Emma Gannon. Continue reading at The Bookseller
[ The Bookseller | 2020-06-29 08:42:04 UTC ]
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HarperCollins has triumphed in a heated six-publisher auction for the debut novel by Nita Prose, the pen name for vice president and editorial director at Simon & Schuster in Canada, Nita Pronovost. Continue reading at The Bookseller
[ The Bookseller | 2020-06-25 11:27:10 UTC ]
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Emily Temple's "The Lightness," about a seeker who loses more than she finds, is a beguiling novel after Donna Tartt's heart, if not her plotting. Continue reading at Los Angeles Times
[ Los Angeles Times | 2020-06-24 13:45:57 UTC ]
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“What’s Left of Me Is Yours,” a debut novel by Stephanie Scott, is inspired by the events surrounding an unlikely murder that occurred in Japan. Continue reading at The New York Times
[ The New York Times | 2020-06-23 09:00:07 UTC ]
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Not to sound like an assistant district attorney from SVU, but it is beyond a shadow of a doubt that acclaimed essayist and book critic Ilana Masad has carved a prominent space for herself in the realm of mother-daughter literature with her debut novel, All My Mother’s Lovers. It sits upon a... Continue reading at Electric Literature
[ Electric Literature | 2020-06-22 11:00:00 UTC ]
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POC Book Cover Model I feel the most brown facing a solid, bright background that seduces preteens at the Scholastic fair. My long black-as-licorice braids with their sweet virginal shine beg for pity, are maybe a metaphor for tradition, repression, machismo, all the miserable Mexican girls that... Continue reading at Electric Literature
[ Electric Literature | 2020-06-15 11:00:00 UTC ]
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