A 1966 novel captures a publishing world full of chronic malcontents, strategic lunches and ideas that mattered. Continue reading at 'The New York Times'
[ The New York Times | 2024-09-11 09:00:20 UTC ]
Bolinda has scooped a “laugh out loud” romantic comedy by debut author Aly Mennuti, featuring a literary agent based partly on the author's own, Simon Trewin. Continue reading at The Bookseller
[ The Bookseller | 2020-08-25 02:20:12 UTC ]
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When I started writing my current novel, Paris Never Leaves You, I had no idea the protagonist, a young widow struggling to survive in Occupied Paris, would end up working in a New York publishing house. I knew she would get to America, but I assumed she would enter the fashion or beauty... Continue reading at Literrary Hub
[ Literrary Hub | 2020-07-31 08:48:22 UTC ]
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Irving Howe wrote for the Book Review about American literature — “moving from visions to problems, from ecstasy to trouble, from self to society” — on July 4, 1976. “Land of the free? Yes, but also home of the exploited.” Continue reading at The New York Times
[ The New York Times | 2020-07-02 21:18:57 UTC ]
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Today’s publishers are working to survive in a new reality where media consumption is up, but revenues are down. Let’s examine three ways publishers can thrive — not just survive — and prepare for success in the next normal. Continue reading at Publishing Executive
[ Publishing Executive | 2020-06-30 20:16:23 UTC ]
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Authors aren’t allowed mutual reviews in the Book Review anymore, but in the 1950s there was a moment of kismet. Continue reading at The New York Times
[ The New York Times | 2020-06-26 09:44:07 UTC ]
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The Pulitzer Prize-winning poet Jericho Brown writes for the Book Review about life during the pandemic. Continue reading at The New York Times
[ The New York Times | 2020-06-15 22:30:58 UTC ]
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As Black Lives Matter protests take place across the world, the publishing world is rushing to support those ‘ignored by the mainstream’. Who is the mainstream, then?The publishing industry is stilted and archaic. I worked in it for seven years, and left due to reasons I can’t legally talk... Continue reading at The Guardian
[ The Guardian | 2020-06-11 09:44:22 UTC ]
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In this week’s issue, A.O. Scott writes about Wallace Stegner. In 1948, Stegner wrote for the Book Review about universities as a place for training writers. Continue reading at The New York Times
[ The New York Times | 2020-06-05 09:00:03 UTC ]
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Cultural Cross Sections Elena Poniatowska In this column that originally appeared in La Jornada, Elena Poniatowska considers the role of editors and talks with Diego Rabasa, founder of publisher Sexto Piso. Already precarious, the pandemic lockdown has... Continue reading at World Literature Today
[ World Literature Today | 2020-06-03 21:05:48 UTC ]
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Pandemic Dispatches Elena Poniatowska In this column that originally appeared in La Jornada, Elena Poniatowska considers the role of editors and talks with Diego Rabasa, founder of publisher Sexto Piso. Already precarious, the pandemic lockdown has made... Continue reading at World Literature Today
[ World Literature Today | 2020-06-03 21:05:48 UTC ]
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Quarantine may be a golden opportunity to finally read "War and Peace" — but it's not an easy time for the book industry. Continue reading at HuffPost
[ HuffPost | 2020-05-21 09:45:35 UTC ]
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News and Events The Editors of WLT From left to right, prose winner Jamie Lauer and writer Pía Barros, poetry winner Russell Karrick, poet Lucía Estrada. Jamie Lauer and Russell Karrick recently were named as the recipients of the third annual... Continue reading at World Literature Today
[ World Literature Today | 2020-05-18 13:29:17 UTC ]
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In 1948, Stephen Spender wrote for the Book Review about Albert Camus’s “The Plague,” a novel about an epidemic spreading across the French Algerian city of Oran. Continue reading at The New York Times
[ The New York Times | 2020-05-15 18:03:35 UTC ]
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Every industry is experiencing a digital transformation. For some, the pandemic has accelerated this transformation. Others, like retail, travel and QSR, are trying to quickly adapt to the new criteria of our on-demand world. Consumers are permanently changing their online consumption habits,... Continue reading at Folio Magazine
[ Folio Magazine | 2020-05-07 14:20:39 UTC ]
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In post 11/8 America, the citizenry became more aware, more active, more willing to submit themselves to self-examination. Yet while the world of journals both print (Freeman’s), and online (Guernica, Lit Hub, Electric Literature), have increased their commitment to the exploration of... Continue reading at Literrary Hub
[ Literrary Hub | 2020-04-16 08:49:50 UTC ]
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In 1999, David Papineau wrote for the Book Review about “Flu,” Gina Kolata’s book about the 1918 influenza pandemic and the hunt for the virus that caused it. Continue reading at The New York Times
[ The New York Times | 2020-04-09 09:00:05 UTC ]
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This week, Lorrie Moore discusses her life as a reader in By the Book. In 1985, Moore wrote for the Book Review about “Galápagos,” Kurt Vonnegut’s novel about a group of survivors stranded on the Galápagos Islands because of an apocalypse. Continue reading at The New York Times
[ The New York Times | 2020-03-27 09:00:00 UTC ]
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In this week’s issue, Natasha Singer reviews “Facebook: The Inside Story,” by Steven Levy. In 1992, William Poundstone wrote for the Book Review about “Artificial Life,” Levy’s book about the science and nuance of life creation in silico. Continue reading at The New York Times
[ The New York Times | 2020-03-13 09:00:04 UTC ]
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From Gutenberg’s printing press to Google’s AMP format, the publishing world has gone from zero to one million miles per hour, with revolutionary changes to the way we produce, distribute, and consume content. Here is a breakdown of some of the key changes in digital publishing, plus tips for... Continue reading at Publishing Executive
[ Publishing Executive | 2020-03-05 15:43:14 UTC ]
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This week, Karen Thompson Walker reviews Gish Jen’s new novel, “The Resisters.” In 1999, Jean Thompson wrote for the Book Review about “Who’s Irish?,” Jen’s collection of short stories about the ambitions and compromises of immigrants and their children. Continue reading at The New York Times
[ The New York Times | 2020-02-21 10:00:05 UTC ]
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