A 1966 novel captures a publishing world full of chronic malcontents, strategic lunches and ideas that mattered. Continue reading at 'The New York Times'
[ The New York Times | 2024-09-11 09:00:20 UTC ]
This week, Leslie Jamison reviews Jenny Offill’s new novel, “Weather.” In 2014, Roxane Gay wrote for the Book Review about “Dept. of Speculation,” Offill’s novel about a fractured marriage between a writer and a radio broadcaster. Continue reading at The New York Times
[ The New York Times | 2020-02-07 14:53:13 UTC ]
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This week, Kevin Wilson reviews Stephen Wright’s new novel, “Processed Cheese.” In 2006, Laura Miller wrote for the Book Review about “The Amalgamation Polka,” Wright’s novel about the descendant of both ardent abolitionists and unwavering slaveholders. Continue reading at The New York Times
[ The New York Times | 2020-01-31 10:00:10 UTC ]
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Children’s book publisher Lee & Low Books, a minority-owned company that focuses on multicultural literature, recently released the results of a survey geared towards finding out one thing: What do the numbers say about the widely perceived lack of diversity in the publishing world? The... Continue reading at Literrary Hub
[ Literrary Hub | 2020-01-29 21:40:46 UTC ]
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This week, Jabari Asim reviews a collection of short stories by Zora Neale Hurston. In 1978, Henry Louis Gates Jr. wrote for the Book Review about Robert Hemenway’s “Zora Neale Hurston: A Literary Biography.” Continue reading at The New York Times
[ The New York Times | 2020-01-24 10:00:06 UTC ]
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“Anyone can be a critic.” It’s a common lament these days now that the book review landscape is changing. English professors and book reviewers in newspapers aren’t the only tastemakers in literary criticism anymore: Goodreads community members, anonymous or top reviewers on Amazon, and... Continue reading at Literrary Hub
[ Literrary Hub | 2020-01-23 09:48:23 UTC ]
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This week, Anand Giridharadas reviews “The New Class War,” by Michael Lind. In 2014, Giridharadas wrote for the Book Review about “The Short and Tragic Life of Robert Peace,” in which Jeff Hobbs wrote about his murdered college roommate. Continue reading at The New York Times
[ The New York Times | 2020-01-16 22:37:52 UTC ]
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This week, Claire Jarvis reviews a biography of Virginia Woolf by Gillian Gill. In 1990, John Mortimer wrote for the Book Review about “Agatha Christie: The Woman and Her Mysteries,” Gill’s biography of Christie. Continue reading at The New York Times
[ The New York Times | 2020-01-10 10:00:03 UTC ]
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This week, Annalisa Quinn reviews John L’Heureux’s story collection “The Heart Is a Full-Wild Beast.” In 1984, L’Heureux wrote for the Book Review about “The Best American Short Stories 1984,” selected by John Updike. Continue reading at The New York Times
[ The New York Times | 2020-01-03 10:00:04 UTC ]
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This week, Scott Simon reviews the poet Thomas Lynch’s collection of essays “The Depositions.” In 1997, Susan Jacoby wrote for the Book Review about “The Undertaking,” Lynch’s collection of essays about being a funeral director. Continue reading at The New York Times
[ The New York Times | 2019-12-27 10:00:04 UTC ]
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This week, Lauretta Charlton reviews Darryl Pinckney’s collection of essays “Busted in New York.” In 1992, Edmund White wrote for the Book Review about “High Cotton,” Pinckney’s debut novel about a young black man coming of age. Continue reading at The New York Times
[ The New York Times | 2019-12-20 10:00:00 UTC ]
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This week, Josh Duboff reviews André Aciman’s “Find Me,” the sequel to his 2007 novel “Call Me by Your Name.” In 1995, Barry Unsworth wrote for the Book Review about “Out of Egypt,” Aciman’s memoir chronicling the family that shaped his life. Continue reading at The New York Times
[ The New York Times | 2019-12-13 10:00:09 UTC ]
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One article shifted the culture. Ronald K.L. Collins wonders whether it could happen today. Continue reading at The Washington Post
[ The Washington Post | 2019-12-13 07:10:24 UTC ]
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Penguin Random House CEO Markus Dohle’s annual letter to company employees emphasized the acquisitions the publisher has made across the publishing world this year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-12-12 05:00:00 UTC ]
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In the publishing world, it seems like winning the Nobel Prize just isn’t what it used to be. A Deutsche Welle interview with Lucien Leitess, director of the Swiss publishing house Unionsverlag, explored the business of predicting a Nobel laureate’s commercial success. The controversy... Continue reading at Literrary Hub
[ Literrary Hub | 2019-12-11 19:54:24 UTC ]
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In 2015, Kekla Magoon wrote for the Book Review about “All American Boys,” a Y.A. novel written by Jason Reynolds and Brendan Kiely about a black teenager and a white teenager grappling with an instance of police brutality. Continue reading at The New York Times
[ The New York Times | 2019-11-08 14:54:04 UTC ]
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Welcome to Ad Age’s Wake-Up Call, our daily roundup of advertising, marketing, media and digital news. If you're reading this online or in a forwarded email, here's the link to sign up for our Wake-Up Call newsletters. You can get an audio version of this briefing on your Alexa device; sign up... Continue reading at Advertising Age
[ Advertising Age | 2019-10-28 10:22:02 UTC ]
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Welcome to Ad Age’s Wake-Up Call, our daily roundup of advertising, marketing, media and digital news. If you're reading this online or in a forwarded email, here's the link to sign up for our Wake-Up Call newsletters. You can get an audio version of this briefing on your Alexa device; sign up... Continue reading at Advertising Age
[ Advertising Age | 2019-10-24 10:29:51 UTC ]
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It’s clear that the publishing world needs more diversity. Why do some see this as compromising quality?Let me tell you a story. A few years ago, months after this riven old island voted to leave the European Union, and days after an ex-reality TV host became the leader of the free world, a... Continue reading at The Guardian
[ The Guardian | 2019-10-11 15:37:44 UTC ]
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As an abashed former News Corp employee (thankfully at HarperCollins, one of the Murdoch portfolio’s least-offensive holdings), HBO’s "Succession" is my straight shot of Sunday-night dopamine. The show’s great even if you aren’t attuned to the devastating, thinly veiled media and publishing... Continue reading at Advertising Age
[ Advertising Age | 2019-10-11 11:22:17 UTC ]
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