Tom Avery has been promoted to editorial director of William Heinemann. Avery joined the Cornerstone imprint in 2011 as editor, and was made senior editor in 2013. Before joining William Heinemann he was at Jonathan Cape and Vintage Books. Avery publishes non-fiction and some literary fiction, and his authors include Jamie Bartlett, Anna Bikont, Thomas Harding, Laurence Scott, Marci Shore and Adelle Waldman. He will continue to report to William Heinemann, Hutchinson and Windmill publisher Jason Arthur. Continue reading at 'The Bookseller'
[ The Bookseller | 2015-08-13 00:00:00 UTC ]
Arts Council England has pledged to engage with more bookshops, fund more writers and lobby the government to provide tax relief to independent publishers following a report finding that “the general trend for literary fiction is a negative one”. Continue reading at The Bookseller
[ The Bookseller | 2017-12-16 00:00:00 UTC ]
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Since its inception in 2014, BookCon has mainly drawn women in the 18 to 30-year-old age bracket, but organizer ReedPop is adding more programming for the 2018 event to attract readers interested in literary fiction, mystery/thriller, sci fi/fantasy and romance. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-12-07 00:00:00 UTC ]
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Jonathan Cape is publishing a new novel from Booker Prize-winning author Michael Ondaatje, his first since 2011’s The Cat’s Table (Vintage), in May 2018. Continue reading at The Bookseller
[ The Bookseller | 2017-09-22 00:00:00 UTC ]
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Jonathan Cape will publish Adam Foulds’ “stunning, terrifying” new novel about a self-obsessed actor and a deranged fan. Continue reading at The Bookseller
[ The Bookseller | 2017-08-23 00:00:00 UTC ]
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Former publicity director of Jonathan Cape, Marilyn Dugdale, has died aged 71 from cancer. Continue reading at The Bookseller
[ The Bookseller | 2017-07-08 00:00:00 UTC ]
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Arts Council England is broadening its literature work, which has previously concentrated on areas such as poetry and translated literature, into a new emphasis on literary fiction. Continue reading at The Bookseller
[ The Bookseller | 2017-07-08 00:00:00 UTC ]
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Israeli writer David Grossman's A Horse Walks Into a Bar, translated by Jessica Cohen and published by Jonathan Cape, has won this year's Man Booker International Prize. Continue reading at The Bookseller
[ The Bookseller | 2017-06-15 00:00:00 UTC ]
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Australian publisher Black Inc, which specialises in literary fiction and non-fiction, is to launch in the UK this September. Continue reading at The Bookseller
[ The Bookseller | 2017-06-05 00:00:00 UTC ]
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Jonathan Cape has acquired a book exploring the human body through a blend of science and memoir, Organs: Alternative Lessons in Anatomy by writer and surgeon Gabriel Weston. Continue reading at The Bookseller
[ The Bookseller | 2017-05-18 00:00:00 UTC ]
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Jonathan Cape has acquired The Hungover Games, a memoir by journalist Sophie Heawood about life as a single mother, following a "fierce" auction. Continue reading at The Bookseller
[ The Bookseller | 2017-05-13 00:00:00 UTC ]
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Tyrus Books, which published crime and literary fiction, is closing six months after S&S acquired its parent company, Adams Media, from F&W. Christian imprint Howard Books is being relocated to the publisher's New York City headquarters and losing its publisher in the move. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-04-25 00:00:00 UTC ]
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Jonathan Cape has acquired debut novel The Altruists by 25-year-old Andrew Ridker. Continue reading at The Bookseller
[ The Bookseller | 2017-03-23 00:00:00 UTC ]
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In a deal closed just before midnight on the second day of London Book Fair, Jonathan Cape has secured UK and Commonwealth rights to This is a Song by former Pulp frontman Jarvis Cocker. Continue reading at The Bookseller
[ The Bookseller | 2017-03-17 00:00:00 UTC ]
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Amazon Publishing, the largest publisher of translations, will be at the London Book Fair with a rights list of suspense, memoir and literary titles. The post Amazon Publishing at London Book Fair: Literary Fiction, Suspense, Memoir appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-03-13 00:00:00 UTC ]
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March's cover design highlights include a sumptuous selection of illustration on dust jackets; a number of titles that pare designs back to striking typographical treatments, not embellished by visuals; a hat-trick of titles from both Pan Macmillan and Oneworld; and a magnificent football-themed... Continue reading at The Bookseller
[ The Bookseller | 2017-02-24 00:00:00 UTC ]
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At a time when literary fiction has a chance to illuminate the struggles and needs of many, the leading Arabic fiction prize's shortlist makes the point. The post The International Prize for Arabic Fiction’s Shortlist: Strong on Issues appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-02-21 00:00:00 UTC ]
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Future Publish's program at Leipzig Book Fair includes a tour, as literary fiction and free speech intersect at conferences in the US and UK. The post Germany’s ‘Future Publish’ at Leipzig; Faber’s Page and Europa’s Reynolds on Literature appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-02-13 00:00:00 UTC ]
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Head of venerable press says his sector has important role in the defence of free speech and champions the revival of literary fiction and traditional booksFaber & Faber’s chief executive has called for publishers to oppose crackdowns on free speech and the rise of so-called fake news.... Continue reading at The Guardian
[ The Guardian | 2017-02-10 00:00:00 UTC ]
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Comic fairytale was written in the weeks since the November presidential election and aims to offer readers the ‘consolation of savage satire’In reply to Donald Trump’s election victory – and in lightning quick time – novelist Howard Jacobson has delivered a comic fairytale that the Man Booker... Continue reading at The Guardian
[ The Guardian | 2017-01-24 00:00:00 UTC ]
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The dominance of three honours in the UK can be prohibitively expensive for small publishers, and end up discouraging risk-taking on ‘difficult’ authorsCutting-edge British literary fiction risks being undermined by its growing reliance on a handful of powerful book prizes, a leading literary... Continue reading at The Guardian
[ The Guardian | 2017-01-02 00:00:00 UTC ]
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