Here’s an interesting statistic: this Weekly E-Book Ranking is the first since launching in May 2016—that’s 95 weeks—in which no new title featured. Continue reading at 'The Bookseller'
[ The Bookseller | 2018-03-02 00:00:00 UTC ]
Our annual pick of the most exciting debut fiction has previously tipped Sally Rooney and Louise Kennedy, Tom Crewe and Douglas Stuart. Here the class of 2024 tell us their storiesEach year since 2014, the Observer New Review’s writers and editors have read scores of forthcoming debut novels... Continue reading at The Guardian
[ The Guardian | 2024-01-14 07:00:20 UTC ]
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Novelists rub shoulders with presidents, chefs, comedians and thriller megastars on longlist to define the title with the biggest impact on the book worldIt could be almost the setup for a joke, but a former president, a Booker winner and an erotic fiction superstar have walked on to the British... Continue reading at The Guardian
[ The Guardian | 2020-02-14 06:01:23 UTC ]
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Congratulations to Beth O'Leary! Her debut novel The Flatshare was recently announced as 2019 Fiction Book of the Year by the British retailer WHSmith—an honor previously bestowed on books such as Eleanor Oliphant is Completely Fine by Gail Honeyman and The Girl on the Train by Paula... Continue reading at Writer's Digest
[ Writer's Digest | 2019-11-19 11:00:22 UTC ]
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‘Hopeful’ novel about an elderly woman who adopts a dog leads the charge from feelgood fictionA debut novel about a lonely old woman who has fallen through the cracks of society has wowed publishers at this week’s Frankfurt book fair, with 10 presses fighting to win a book that is being compared... Continue reading at The Guardian
[ The Guardian | 2018-10-12 00:00:00 UTC ]
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Transworld has pre-empted an “uplifting, heart-warming and accessible” reading group novel by debut author and musician Hazel Prior, born out of a passion for harps. Touching on love, friendship, kindness and generosity, according to Transworld Ellie and the Harp-maker will appeal to readers of... Continue reading at The Bookseller
[ The Bookseller | 2018-09-10 00:00:00 UTC ]
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For a 16th week, Gail Honeyman's Eleanor Oliphant is Completely Fine is the Weekly E-Book Ranking number one. Continue reading at The Bookseller
[ The Bookseller | 2018-06-22 00:00:00 UTC ]
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And with that, the Honeyman is over. Peter James’ Dead If You Don’t has ended Eleanor Oliphant is Completely Fine’s record run in the Weekly E-Ranking number one spot, becoming the first new number one in the ebook chart since the second week of February. Continue reading at The Bookseller
[ The Bookseller | 2018-06-01 00:00:00 UTC ]
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Eleanor Oliphant is Completely Fine has rampaged into the Weekly E-Book Ranking top spot for a 11th consecutive week, bringing its tally of number ones to 12 and edging closer to The Girl on the Train’s all-time record of 19. Continue reading at The Bookseller
[ The Bookseller | 2018-05-04 00:00:00 UTC ]
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Gail Honeyman’s Eleanor Oliphant is Completely Fine and Helen Morris’ The Tattooist of Auschwitz have held first and second place in the Weekly E-Book Ranking for five weeks straight. Continue reading at The Bookseller
[ The Bookseller | 2018-04-27 00:00:00 UTC ]
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Lee Child’s The Midnight Line (Bantam) has ended Eleanor Oliphant is Completely Fine’s run in the UK Official Top 50 number one spot, selling 35,942 copies for £146,019. Continue reading at The Bookseller
[ The Bookseller | 2018-04-11 00:00:00 UTC ]
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It’s not often a single title tops both the print and ebook charts in the same week, let alone pulls off that feat multiple times, but Eleanor Oliphant is Completely Fine's in the number one ebook chart slot has now reached seven consecutive weeks. Continue reading at The Bookseller
[ The Bookseller | 2018-04-06 00:00:00 UTC ]
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Here’s an interesting statistic: this Weekly E-Book Ranking is the first since launching in May 2016—that’s 95 weeks—in which no new title featured. Continue reading at The Bookseller
[ The Bookseller | 2018-03-02 00:00:00 UTC ]
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From Matt Haig’s How to Stop Time to Gail Honeyman’s Eleanor Oliphant is Completely Fine, the empathetic literature inspired by a year of tragedies, political upheaval and economic uncertaintyA bruising year dominated by political and economic uncertainty, terrorism and tragedy has, publishers... Continue reading at The Guardian
[ The Guardian | 2017-08-02 00:00:00 UTC ]
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