Vintage hosted its upcoming authors at a breakfast preview to give media a taste of what fiction is to come from the publisher in 2018. Continue reading at 'The Bookseller'
[ The Bookseller | 2017-07-26 00:00:00 UTC ]
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Food writer and historian Angela Clutton has won the 2018 Jane Grigson Trust Award for her "fascinating and unique" book The Vinegar Cupboard (Absolute Press). Continue reading at The Bookseller
[ The Bookseller | 2018-03-14 00:00:00 UTC ]
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The Man Booker International Prize, awarded annually to the best in translated fiction, announced the longlist of 13 novels vying for the 2018 award. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-13 00:00:00 UTC ]
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A new exhibition, funded by Arts Council England and coinciding with London Book Fair's Baltic market focus, will be showcasing diverse, emerging artists from Estonia, Latvia, Lithuania and the UK in April and May. Continue reading at The Bookseller
[ The Bookseller | 2018-03-13 00:00:00 UTC ]
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Author Katie Ganshert and editor Shannon Marchese say more readers are open to fiction that takes on today's powerful issues. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-12 00:00:00 UTC ]
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What books have producers been snapping up? This week deals were made for hip hop fashion icon Dapper Dan's forthcoming memoir and Jason Mott's 2014 novel about a girl with healing powers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-12 00:00:00 UTC ]
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With soaring sales, viral hits like Cat Person and a cameo by Tom Hanks, the form seems to be staging a comeback. But did it ever go away?In 2017, almost 50% more short story collections were sold than in the previous year. It was the best year for short stories since 2010. Booksellers are... Continue reading at The Guardian
[ The Guardian | 2018-03-12 00:00:00 UTC ]
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This week's hot books include a Swedish literary novel and an illustrated guide to blockchain out of China. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-12 00:00:00 UTC ]
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Journalist Michelle McNamara’s posthumously published true crime investigation, 'I’ll Be Gone in the Dark,’ debuts at #5 in hardcover fiction. Plus Hot for Food vlogger Lauren Toyota publishers her first cookbook, and playwright and screenwriter David Mamet returns with his first novel in two... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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As of today, Peppa Pig remains a bestseller in China. Winnie the Pooh continues to sell, and so does Charlie and the Chocolate Factory. There has been no restriction on these titles or on other foreign publications and translations. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The 2018 Special Report on children's publishing in China, plus related coverage. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Eleven years ago, in 2007, China Children’s Press & Publication Group (CCPPG) participated in the Bologna Book Fair for the first time. Their booth in Hall 29 was small, shabby, and minimally decorated and very few visitors dropped by. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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Most overseas publishers are familiar with the reputation of Tomorrow Publishing House, which was founded 35 years ago and has translated more than 1,000 titles. Credited for putting several local authors—Yang Hongying, Cao Wenxuan, Wu Meizhen, and Yu Yujun, for instance—on the international... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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For 16-month-old Beijing Bright Culture, making an impact on the market is the top priority, and Jef Nys’s Jeremy series (or Jommeke in the original Belgian) is the answer. “We have published only 25 out of the available 278 volumes, meaning that we have a built-in long seller in our portfolio,”... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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This publishing house is embarking on a major, and unique, transformation of its publishing program and editorial mind-set. For president Li Xueqian of CCPPG, current changes in the industry demand an aggressive move. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The phrase “in the right place at the right time” seems tailor-made for Jieli. Its Usborne China imprint, launched in January 2017, came at an opportune moment when the Chinese market was ready for higher-priced toy- and game-based board books and novelty titles. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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There are several high-profile joint ventures (JVs) in Chinese children’s books publishing. The earliest was Children’s Fun Publishing, a collaboration between Posts & Telecommunications Press and Egmont Group initiated in 1994. Next came Hachette-Phoenix, which was cofounded by Hachette... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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In April 2018, Foreign Language Teaching and Research Press (FLTRP) will publish Winnie and Wilbur: The Naughty Knight, the 18th title in the Winnie the Witch series. Plans are also in the works for illustrator Korky Paul to do a three-week tour of China, giving several lectures, including one... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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The contradictions embodied in the folk symbol of the witch captured the attention of Sally Yan, founder and editor-in-chief of 11-year-old publishing company Beijing Dandelion. “The witch is a popular figure in Western classics: sometimes as the protagonist; other times, in the periphery. The... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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IlluSalon, the biggest international illustration platform in China, works with around 4,000 illustrators from more than 50 countries. For Hou Mingliang, founder of IlluSalon and host of the Global Illustration Award (as well as president of Kids Media), young and professional illustrators–with... Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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“The more words, the better” is a general truism of the Chinese children’s book market. Chinese parents and educators always want more words for children to learn and more paragraphs to relay additional information. A book’s value often is tied to the quantity of text on its pages. Continue reading at Publishers Weekly
[ Publishers Weekly | 2018-03-09 00:00:00 UTC ]
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