The Writers Who Left: Cuban Exile and What Comes Next, by Margaret Randall

Cultural Cross Sections Margaret Randall Children’s choir at the 2014 La Matanza Book Fair / Photo by Mauro Rico / Ministerio de Cultura de la Nación / Flickr When good engineers or scientists emigrate, they are able to continue their work. Novelists no. A good novel is nourished by the sap of one’s own culture, one’s people, and what happens in daily life.—Ricardo Jorge Machado[i] A recurring drama when I lived in Cuba throughout the 1970s was the periodic emigration of citizens from all social strata who for one reason or another felt compelled to leave their homeland. This might take place in waves, such as the Mariel exodus in May 1980 when 125,000 people boarded boats for southern Florida. Or it might be a high-profile individual: a baseball player who wanted to join the Major Leagues, a well-trained physician who believed he or she could earn more elsewhere, or a poet or novelist who was fed up with the Revolution and wanted to try their luck in another country (most often the United States). All were considered traitors and departed amidst a barrage of vituperative harassment. Heberto Padilla was one such poet. In the late 1960s he entered a collection of his work in an important literary contest. The book, Fuera del juego (Outside the game), was given first prize by an international jury. As it was perceived as being critical of the Revolution, the power structure didn’t know what to do with the decision; it eventually... Continue reading at 'World Literature Today'

[ World Literature Today | 2019-07-10 21:07:28 UTC ]

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