The publishers' year: hits and misses of 2013

Publishers choose their books of the year, and the ones that got awayRobin Robertson Deputy publishing director, Jonathan CapeThe book that made my year: Many years ago, I was sitting in Blake's bar in Enniskillen with John McGahern and he recommended an American novel from the 60s, written by John Williams: a book called Stoner. I thought it was astonishing, and I passed it to vintage, who brought it out in 2003 with John's introduction. Like so many great books, it promptly disappeared, again – only to come back this year, miraculously, and succeed.Our book that deserved to do better: Chamber Music by Tom Benn. It's the late 1990s, in the middle of the drug wars on the estates of Manchester, and complicated antihero Bane is pitched against a Yardie called Hagfish, whose weapon of choice is a Komodo dragon. Tom Benn – still only 26 – is writing these amazing dialogue-driven noir literary thrillers that, as the blurb says, "do for low-life Manchester what Trainspotting did for Leith", and no one is paying attention.I wish I'd published: Cormac McCarthy, as usual. Even a screenplay by Cormac McCarthy, like The Counsellor (Picador).Alexandra Pringle Editor-in-chief, BloomsburyThe book that made my year: In a year that included fiction by George Saunders, Aminatta Forna, Colum McCann, Jhumpa Lahiri, Margaret Atwood, Elizabeth Gilbert and Khaled Hosseini, how can I choose? But perhaps in the end it will be 21-year-old Samantha Shannon's debut The Bone Season, which hit the... Continue reading at 'The Guardian'

[ The Guardian | 2013-12-20 00:00:00 UTC ]
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[ The Bookseller | 2012-03-29 00:00:00 UTC ]
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[ The Bookseller | 2012-03-27 00:00:00 UTC ]
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[ The Bookseller | 2012-03-26 00:00:00 UTC ]
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[ Editor & Publisher | 2012-03-26 00:00:00 UTC ]
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[ Publishers Weekly | 2012-03-23 00:00:00 UTC ]
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[ The Bookseller | 2012-03-21 00:00:00 UTC ]
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[ AdWeek | 2012-03-20 00:00:00 UTC ]
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[ Editor & Publisher | 2012-03-14 00:00:00 UTC ]
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