Cultural Cross Sections Baret Magarian Photos by Pierpaolo Florio A novelist living in quarantine in Florence looks back at Italy’s cultural history and then forward, considering whether something positive might rise from the ruins that the virus will leave in its wake. Last week I ventured out of my flat in Florence, armed with my auto-certificazione, the document you must possess in order to justify leaving your residence at any time in locked down Italy. As I cycled, trying to snatch a few minutes of permitted daily exercise, I veered for the Piazza del Duomo. I glanced around nervously, on the lookout for any abnormalities, policemen, anxious to avoid any official entanglements or questions. My exodus was marked by the electric flutter of adrenaline. As I gingerly reached the geometrically intricate miracle of Brunelleschi’s dome, I realized that I shared the square only with a military vehicle and some soldiers; no other civilian could be seen. It was disquieting. Did I mention the silence? It was cosmically still, as if I had just alighted on an alien planet that housed a carbon copy of Florence, but utterly bereft of sound and people. Just now the real Florentine sun is starting to ripen and ferment, settling into its springtime incarnation, and as it touched the upper levels of the Santa Maria del Fiore Cathedral and the gargantuan dome that sits atop it, a dazzling, magical clarity resulted. But there was no one to share... Continue reading at 'World Literature Today'
[ World Literature Today | 2020-03-23 21:14:07 UTC ]
During one of my first open mics in New York City, the comic running the mic tapped me on the elbow after my set and said, “Hey, you’re funny!” She sounded surprised. I was, too. Being funny wasn’t my main goal. I was there to spy on comics, trying to experience the highs and lows […] Continue reading at Literrary Hub
[ Literrary Hub | 2019-07-31 08:49:06 UTC ]
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The Spanish philosopher and poet George Santayana once said, “Those who cannot remember the past are condemned to repeat it.” As a genre, historical fiction allows us to shuttle back in time to stand in the shoes, clogs, chopines, and go-go boots of people—real and imagined—to consider the... Continue reading at Electric Literature
[ Electric Literature | 2019-07-15 11:00:13 UTC ]
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As publishers vie to persuade us to pack their titles for the holidays, we chart the evolution of the ’beach read’Summer reads, beach reads, holiday reads … at this time of year, the publishing world works itself into a sweat trying to force its novels into our carry-on luggage, or over the... Continue reading at The Guardian
[ The Guardian | 2019-07-14 07:00:23 UTC ]
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Businesses and public policy makers are tapping novelists to imagine the path forward. But how much stock should we put in the predictions of storytellers? Continue reading at Wired
[ Wired | 2019-07-12 13:00:00 UTC ]
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Cultural Cross Sections Margaret Randall Children’s choir at the 2014 La Matanza Book Fair / Photo by Mauro Rico / Ministerio de Cultura de la Nación / Flickr When good engineers or scientists emigrate, they are able to continue their work. Novelists... Continue reading at World Literature Today
[ World Literature Today | 2019-07-10 21:07:28 UTC ]
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The New York Times invited Asian-American authors to choose photos from our archives and write short young-adult fiction inspired by them. Continue reading at The New York Times
[ The New York Times | 2019-06-28 17:18:37 UTC ]
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Claire Adam has won the £10,000 Desmond Elliott Prize for first-time novelists with her "electrifying" debut Golden Child (Faber). Continue reading at The Bookseller
[ The Bookseller | 2019-06-18 18:50:22 UTC ]
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News and Events WLT Norman, Okla. (June 11, 2019) – Robert Con Davis-Undiano, Neustadt Professor and executive director of the World Literature Today organization at the University of Oklahoma, this week announced the names of nine writers to be the jury... Continue reading at World Literature Today
[ World Literature Today | 2019-06-10 16:04:37 UTC ]
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