The Actual American Dream Isn’t on the Magazine Covers

Sneha, the 22-year-old protagonist of Sarah Thankam Mathews’ debut novel All This Could Be Different, is the dutiful immigrant daughter. Despite the long recession, she bagged a corporate job right after college, and a free apartment in Brewers Hill, Milwaukee. She regularly sends money home to India and is also working toward a visa sponsorship. […] The post The Actual American Dream Isn’t on the Magazine Covers appeared first on Electric Literature. Continue reading at 'Electric Literature'

[ Electric Literature | 2022-08-11 11:00:00 UTC ]

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INDONESIA FOCUS: Q+A Laksmi Pamuntjak

Indonesia is the country of focus at the London Book Fair this year and recently at Frankfurt - to what extent do you think Indonesian literature is finally having it's moment in the spotlight? I cannot say for certain what these one-off ‘spotlights’ on Indonesian literature would mean for... Continue reading at British Council global

[ British Council global | 2019-02-08 10:06:53 UTC ]
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'Electric Literature' Launches New Series As Counterpoint to 'By the Book'

Electric Literature has launched a new biweekly series, in partnership with FSG's MCD imprint and as part of its "Read More Women" campaign, that it bills as a feminist corrective to the 'New York Times' column "By the Book." Continue reading at Publishers Weekly

[ Publishers Weekly | 2018-07-19 00:00:00 UTC ]
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Electric Literature's Bodega Project is the literary counterpoint to the tech start-up

Online literary magazine Electric Lit’s recent Bodega Project is an appreciative counter to the new tech firm called Bodega. Launched by two ex-Google staffers, Bodega (the start-up) received some harsh criticism this week for threatening the beloved corner stores. The company aims to install... Continue reading at Los Angeles Times

[ Los Angeles Times | 2017-09-16 00:00:00 UTC ]
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Electric Literature Serializes Joe Meno’s ‘Star Witness’ Online

The serialized story is part of Electric Literature's ongoing experiments with distributing literary works online, as well as an effort to grow its paying membership. Continue reading at Publishers Weekly

[ Publishers Weekly | 2017-08-17 00:00:00 UTC ]
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