Rethinking fairytales as feminist fables is rescuing them, not ruining them | Rhiannon Lucy Cosslett

A new collection of rejigged tales gets much closer to the spirit of these stories than the ‘traditional’ versions we’re force-fed There’s a book called Politically Correct Bedtime Stories, written by James Finn Garner, which used to be on my parents’ shelves, and is now on mine. Published in 1994, it was a massive bestseller in its time, satirising changing social attitudes and acting as an amusing corrective for the holier-than-thou: Little Red Riding Hood, for example, finds the wolf’s suggestion that it isn’t safe for a little girl to walk through the woods alone “sexist” and “offensive in the extreme… ” but, she says, “I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview”. It also stands as a reminder that the so-called culture wars, all that rightwing fury at the “tyranny of woke”, are simply the political-correctness-gone-mad wars of yesteryear rebranded for a new, digital age.Right-on children’s books have had a resurgence, as demonstrated by the success of series such as Good Night Stories for Rebel Girls. This autumn, children have been gifted four rejigged fairytales in the form of Vintage Children’s Classics’ new Fairy Tale Revolution series, which sees Bluebeard, Cinderella, Hansel and Gretel and The Ugly Duckling revisited by Malorie Blackman, Rebecca Solnit, Jeanette Winterson and Kamila Shamsie respectively. They are all just lovely: sweet and funny... Continue reading at 'The Guardian'

[ The Guardian | 2020-11-04 09:00:13 UTC ]
News tagged with: #digital age #rebel girls #malorie blackman #rebecca solnit #jeanette winterson #kamila shamsie #adult reading #sincerely hope

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