Poetic Points of Being in The Kolkata Cadence, by Dustin Pickering

Book Reviews Our society is increasingly global, and the era of Covid-19 is no different. We may forget our localities and the importance of community in consuming the news and internet media. One city, the domain of Mother Theresa, a holy city, is Kolkata. Three editors compact its poetic resources in The Kolkata Cadence, a new anthology edited by Jagari Mukherjee, Inam Hussain Mullick, and Anindita Bose (Hawakal, 2021). The anthology compiles twenty-five contemporary poets, and subjects range from rain, crime, and religion to subtler life experiences. Mullick writes in his introduction that “life does not cease to offer us the absurd, personal and political—the poet conquers.” The poetry of The Kolkata Cadence seeks to illuminate these dimensions of life while celebrating the original voices of the city’s scene. Bina Sarkar Ellias writes of Santiniketan’s red earth, “a red road rolls out, / astonished— / like Kali’s tongue.” In “Santiniketan II,” the city is “mourning the death of its renaissance.” These poems undercut the reality of the city dwelling. Santiniketan is a university city expanded by Tagore’s vision. These poems suggest the natural world dwelling within humankind’s spirit. The unexpected happens overnight when rain washes through as a poet’s delirium, suggesting the primal urges of nature are within the sway of the poet-shaman. In “Haiku,” by Naina Dey, reality assumes a different task. “Shards of reality pierce... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-06-09 11:23:36 UTC ]
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