One Week in Reykjavík, by Alizah Holstein

Cultural Cross Sections Alizah Holstein I stepped out of Keflavík airport at 4:30 a.m. Far off in the dimly lit parking lot was the bus to Reykjavík—parked, empty, still off-duty. Winds buffeted me from above, the cold air curling its way up my wrists and down my neck. The landscape around me was shrouded in night. I could see nothing but desolate airport roads unfurling like tendrils out into the void. I made my way to the unlit bus, pulled my jacket tighter around me, and waited. I had come to Reykjavík for a new beginning. This September day marked the official start of my master’s program in creative writing and literary translation—Vermont College of Fine Arts’ new “International MFA”—a program dedicated to literature with a global perspective. And Iceland, a nation with one of the world’s deepest and most abiding literary traditions, would be the site of our first weeklong residency. But really, what on earth I was doing? I already had a PhD in medieval Italian history, a degree that had gifted me many things—Italian, Rome, lifelong friends, a life of the mind—but not, alas, a tenure-track job. After deciding not to accept adjunct positions, I left academia to try entrepreneurship. I had sewn a fleece vest for my infant son that other parents had wanted. Before long, I had a business designing and manufacturing outerwear. As an entrepreneur, I was inspired by all there was to discover. If the past is a foreign country to... Continue reading at 'World Literature Today'

[ World Literature Today | 2019-12-03 17:31:19 UTC ]

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