What happens when animation geeks get the greenlight to produce whatever they want? You get Netflix's Love, Death and Robots, an anthology series that's meant to remind viewers that cartoons aren't just for kids. You'd think that would be a foregone conclusion in 2022, decades after anime has become mainstream, Adult Swim's irreverent comedies took over dorm rooms, and just about network/streaming platform has their own "edgy" animated series (Arcane and Big Mouth on Netflix, Invincible on Amazon Prime).Still, it's all too common to see the medium being diminished. At the Oscars this year, the best animated feature award was introduced as something entirely meant for kids, prompting the filmmakers Phil Lord and Christopher Miller (The Lego Movie, Spider-Man: Into the Spider-Verse), to demand that Hollywood elevate the genre instead. Even Pixar's library of smart and compelling films still aren't seen as "adult" stories.Love, Death and Robots, which just released its third season on Netflix, feels like a crash course in the unlimited storytelling potential of animation. It bounces from a cute entry about robots exploring the remnants of human civilization (the series' first sequel, 3 Robots: Exit Strategies, written by sci-fi author John Scalzi), to a near-silent, visually lush game of cat and mouse between a deaf soldier and a mythical siren (Jibaro), to a harrowing tale of whalers being boarded by a giant man-eating crab (Bad Traveling, the first animated project... Continue reading at 'Engadget'
[ Engadget | 2022-05-21 13:00:32 UTC ]
Two authors from the recent Future Tense Fiction anthology discuss how they approach their craft. Continue reading at Slate
[ Slate | 2019-10-25 11:30:07 UTC ]
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For publishers, this is a time of radical reinvention marked by a breakneck pace of innovation. To make sense of the changing landscape for both digital-native and traditional publishers, Ad Age is convening a high-level gathering of some of the best minds in the business. At Ad Age Publishing:... Continue reading at Advertising Age
[ Advertising Age | 2019-10-22 14:50:00 UTC ]
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For publishers, this is a time of radical reinvention marked by a breakneck pace of innovation. To make sense of the changing landscape for both digital-native and traditional publishers, Ad Age is convening a high-level gathering of some of the best minds in the business. At Ad Age Publishing:... Continue reading at Advertising Age
[ Advertising Age | 2019-10-18 16:17:19 UTC ]
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LARB presents this exclusive excerpt from Graffiti, the inaugural anthology from artist collective POC United, published this week by Aunt Lute Books. ¤ WHERE ARE YOUR WORDS welcome? Where do you have permission to scribble, scrawl, romanticize, speculate, brag, retaliate, and narrate your own... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2019-10-16 17:00:52 UTC ]
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When DreamWorks founder Jeffrey Katzenberg and former Hewlett-Packard and eBay CEO Meg Whitman announced the idea for Quibi last year, there was debate over whether millennials and Gen Zers would cash in on a mobile-only platform streaming shows lasting for 10 minutes or less. One thing is for... Continue reading at Advertising Age
[ Advertising Age | 2019-10-11 22:09:18 UTC ]
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We had a new monster every night. I had this book I loved, Bring on the Bad Guys. It was a big, chunky paperback collection of comic-book stories, and as you might guess from the title, it wasn’t much concerned with heroes. It was instead an anthology of tales about the worst of the worst, […] Continue reading at Literrary Hub
[ Literrary Hub | 2019-10-10 08:49:26 UTC ]
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CHERRÍE MORAGA HAS been an iconic figure in queer and Latinx literature since the 1981 publication of This Bridge Called My Back: Writings by Radical Women of Color, an anthology she edited with the late Gloria Anzaldúa. Bridge was among the first explorations of how people and communities with... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2019-10-04 17:00:25 UTC ]
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Future Tense Fiction: Stories of Tomorrow is a thought-provoking excursion into the futures we would and would not want to live in. Continue reading at Slate
[ Slate | 2019-10-02 16:18:40 UTC ]
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No matter how the House of Representatives' inquiry into President Trump plays out, FX hopes that "impeachment" is still a big buzzword exactly one year from today. That's when the third season of American Crime Story--titled, that's right, Impeachment--is set to debut. But Season 3 of Ryan... Continue reading at AdWeek
[ AdWeek | 2019-09-27 10:30:50 UTC ]
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This searing new comics anthology edited by Diane Noomin shows us stories of sexual violence, harassment and – most critically – survival. Continue reading at The Conversation
[ The Conversation | 2019-09-24 06:56:54 UTC ]
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Jury chair Jörg Magenau says that issues of family relationships and contemporary male identity are at play in the German Book Prize 2019 shortlist. The post German Book Prize Releases Its 2019 Shortlist: ‘Generational Shift’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-09-24 04:36:36 UTC ]
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Ratings for Fox’s presentation of the 71st Primetime Emmy Awards plummeted to an all-time low Sunday night, but given that the broadcast now functions as a three-hour infomercial for the streaming services and premium cable networks that are gobbling network TV’s lunch, it’s perhaps for the best... Continue reading at Advertising Age
[ Advertising Age | 2019-09-23 22:17:27 UTC ]
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Ad Age’s Coming Attraction offers brief previews of TV shows, movies and more of interest to marketers and media people. Tonight at 10 p.m. ET, FX’s fan-favorite horror anthology series “American Horror Story” will kick off its ninth season, titled “1984”—a nightmarish string of episodes... Continue reading at Advertising Age
[ Advertising Age | 2019-09-18 16:35:40 UTC ]
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Hulu is at last ready to offer a glimpse at Castle Rock's second season, and it's evident this won't be the feel-good hit of the year. A newly posted teaser for the Stephen King-based anthology focuses on the arrival of a younger version of Misery v... Continue reading at Engadget
[ Engadget | 2019-09-15 02:50:00 UTC ]
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The Once Over The Editors of WLT Fifty years ago this week, Books Abroad editor Ivar Ivask traveled to Menton, Switzerland, to announce the establishment of the Books Abroad International Prize for Literature, the forerunner of the Neustadt Prize, at the... Continue reading at World Literature Today
[ World Literature Today | 2019-09-13 14:34:18 UTC ]
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Collection of the campaigning journalist’s work will be published next year to mark the anniversary of her killingAn anthology of work by the investigative journalist Lyra McKee, who was fatally shot by New IRA gunmen, will be published next year on the first anniversary of her death, Faber... Continue reading at The Guardian
[ The Guardian | 2019-09-11 10:16:33 UTC ]
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Faber will publish an anthology of journalist’s Lyra McKee’s work to mark the anniversary of her death. Continue reading at The Bookseller
[ The Bookseller | 2019-09-11 00:46:39 UTC ]
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Contemporary Short Stories from MyanmarIn 2017 the British Council produced an anthology of short stories from Myanmar. In 2012 the British Council sought to take advantage of new freedoms in literature and travel through a programme of workshops. The aim of the five-year literature... Continue reading at British Council global
[ British Council global | 2019-09-10 08:55:33 UTC ]
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The Penguin Book of Italian Short Stories edited by Jhumpa Lahiri, is available now. * What was the genesis of this anthology? Three years ago, I began teaching creative writing at Princeton. I had just returned from Italy, where I had lived in Rome with my family for three years. During that... Continue reading at Literrary Hub
[ Literrary Hub | 2019-09-10 08:46:32 UTC ]
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The fast-food industry is waging a chicken sandwich war. Bud Light and Coors Light are embroiled in “corngate.” And Kind and Cliff keep trading shots in a snack-bar skirmish over whose ingredients are healthier. These are among the many brand battles raging in what has become a feisty,... Continue reading at Advertising Age
[ Advertising Age | 2019-09-10 07:00:00 UTC ]
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