Egmont Books’ marketing director Mike Richards has left the company following a reorganisation of the marketing team. Richards has been in marketing at Egmont for 15 years, promoting authors and brands such as Michael Grant, Lemony Snicket, Jim Smith, Winnie-the-Pooh and Star Wars. He would not comment on why he was leaving the company when contacted by The Bookseller, but said he has no plans at this stage about future career moves. Egmont said the position has been removed from the business and there will be no like-for-like replacement. Continue reading at 'The Bookseller'
[ The Bookseller | 2015-08-06 00:00:00 UTC ]
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Over the past decade, from somewhere under the radar, Cotswolds-dwelling Kiwi Owen Eastwood has become one of the worlds most in-demand performance coaches. The elite teams and organisations he has worked with include the England football team, the Scotland rugby squad, and the South African... Continue reading at The Bookseller
[ The Bookseller | 2021-02-18 23:26:36 UTC ]
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Independent academic publisher Boydell & Brewer has appointed Antje King to be its new group sales and marketing director. Continue reading at The Bookseller
[ The Bookseller | 2021-02-15 13:51:01 UTC ]
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A 'sea change in trade book publishing,' writes Richard Charkin, accelerate as Brexit puts the UK industry's EU exclusivity into a new light. The post Richard Charkin: Brexit Ushers British Publishing Into New Territory appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2021-02-10 13:25:57 UTC ]
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Books published by Walker, Nosy Crow and Egmont have been shortlisted for this year's Derby Children's Picture Book Award. Continue reading at The Bookseller
[ The Bookseller | 2021-02-08 17:10:34 UTC ]
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Following the restructuring of the consumer division of Bloomsbury USA, publishing director Cindy Loh and two other employees are leaving the publisher. Adrienne Vaughan, Bloomsbury USA executive director and COO, will assume the publishing director duties. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-02-08 05:00:00 UTC ]
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Egmont Books has signed a publishing partnership with Beano Studios and will release three titles this year to coincide with the 70th anniversary of Dennis the Menace. Continue reading at The Bookseller
[ The Bookseller | 2021-02-05 04:34:23 UTC ]
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Mark Harris’s portrait of director Mike Nichols is a pleasure to read and a model biography. Continue reading at The Washington Post
[ The Washington Post | 2021-02-03 13:00:00 UTC ]
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Germs: not only the dirty little things you can’t see but also seeds. In his sensuous and melancholic memoir, Richard Wollheim attempts to collect the seemingly insignificant, lost little kernels of his life—the most powerful impressions of his younger self—that then germinated and made the man.... Continue reading at Literrary Hub
[ Literrary Hub | 2021-02-02 09:48:41 UTC ]
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Distributor Bookwire and digital publisher Saga Egmont partner to make thousands of Spanish-language ebooks and audiobooks available. The post Germany’s Bookwire and Denmark’s Saga Egmont: Spanish-Language Content appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2021-01-28 18:48:43 UTC ]
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Egmont Books has created Paper Beach, a community art project backed by events with authors to help children learning at home and connect them with one another. Continue reading at The Bookseller
[ The Bookseller | 2021-01-26 04:03:45 UTC ]
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Egmont UK's 2019 revenue decreased 8.9% to £37.9m but the publisher had a £369,000 pre-tax profit in the financial year before the book business was bought by HarperCollins, new figures uploaded to Companies House show. Continue reading at The Bookseller
[ The Bookseller | 2021-01-08 08:40:13 UTC ]
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CEO Bill Livek alludes to bigger, but debt-laden, rival Nielsen with analogy to how Netflix overtook Blockbuster. Continue reading at Advertising Age
[ Advertising Age | 2021-01-08 00:41:20 UTC ]
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Independent publisher Child's Play will publish two more picture books by Romani author Richard O’Neill, as part of his Romani Tales series. Continue reading at The Bookseller
[ The Bookseller | 2021-01-06 20:26:51 UTC ]
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The world’s #2 superhero comics publisher is undergoing a stress test. After several rounds of layoffs and controversial business decisions, comics fans, comics professionals, and retailers are speculating whether DC will choose to abandon comics publishing or the comics shop market entirely. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-01-06 05:00:00 UTC ]
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'Maybe there are lessons to be learned from rule-breaking,' writes Richard Charkin, with a new memoir as his case in point. The post Richard Charkin: ‘Thank Goodness for the Rule-Breakers’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2021-01-04 13:04:57 UTC ]
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The Thursday Murder Club sees off titles by Barack Obama and David Walliams in chaotic week for Britain’s book tradeRichard Osman’s cosy mystery about a group of elderly sleuths, The Thursday Murder Club, has become the first debut novel ever to become the Christmas No 1, selling a remarkable... Continue reading at The Guardian
[ The Guardian | 2020-12-22 15:00:18 UTC ]
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'The last 20 years have seen an ever-growing chasm between academic and trade publishing on the technology front,' writes Charkin. The post Richard Charkin: ‘Chasm’ Between Academic and Trade Publishing appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2020-12-07 14:48:23 UTC ]
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William Heinemann will publish Bewilderment, Richard Powers' first novel since his Booker-shortlisted and Pulitzer Prize-winning The Overstory (William Heinemann, 2018). Continue reading at The Bookseller
[ The Bookseller | 2020-11-24 19:27:03 UTC ]
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The parts of J.D. Vance’s controversial memoir that didn’t make it into the movie. Continue reading at Slate
[ Slate | 2020-11-24 17:07:44 UTC ]
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Lauren Williams, the website’s editor in chief, is also leaving. The departures come against a backdrop of change in the digital media business. Continue reading at The New York Times
[ The New York Times | 2020-11-20 21:04:29 UTC ]
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