I was balancing a plate of honeydew in the green room of a book festival when I walked by a white man bemoaning the state of the publishing industry. The man wore a suit, and he spoke to a white woman; both of them looked to be in their 40s. As the man speared a […] The post I Don’t Have To Choose Between Writing About Myself And Writing About The World appeared first on Electric Literature. Continue reading at 'Electric Literature'
[ Electric Literature | 2024-03-27 11:05:00 UTC ]
Every love story is built with inherently high stakes. After all, a heart can be the ultimate prize, and courtship a most dangerous risk. And love, as we all know, won’t stop for much. Our hearts pay no attention to timing or impediments, and logic falls by the wayside as we feel the anguish of... Continue reading at Electric Literature
[ Electric Literature | 2021-04-28 11:00:00 UTC ]
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In Crying in H Mart, Michelle Zauner—also known as the indie-pop musician Japanese Breakfast—writes of her mother’s battle with terminal cancer and the caretaking process. The mother-daughter relationship is the beating pulse of this memoir, presented in all of its uncomfortable complexities.... Continue reading at Electric Literature
[ Electric Literature | 2021-04-22 11:00:00 UTC ]
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Social media is now a vital platform to promote new titles. And that means jacket designs that hit you ‘hard and quick’Last week’s big literary event was not the publication of a new book, the million-pound signing of a celebrity author or the announcement of a prestigious prize. Instead, it was... Continue reading at The Guardian
[ The Guardian | 2021-04-18 09:00:04 UTC ]
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There are as many different kinds of memoirs as there are novels, maybe more. The public-figure memoir. The witnessing-history memoir. The survivor’s memoir. The addiction memoir. The let-me-set-the-record-straight memoir. The travel memoir. The memoir about one specific family member. The... Continue reading at Electric Literature
[ Electric Literature | 2021-04-09 11:00:00 UTC ]
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Sanjena Sathian’s debut novel Gold Diggers is set in the Indian American suburbs of Atlanta—a world of competitive debate and spelling bees, of racing to get into the most prestigious academic summer camps, of Miss Teen India pageants—all roads leading to the promised land of America’s most... Continue reading at Electric Literature
[ Electric Literature | 2021-04-09 11:00:00 UTC ]
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Having collected views from Black people across the publishing industry for the past year, the Black Agents and Editors’ Group has outlined 15 steps for how those in the trade can do better. Continue reading at The Bookseller
[ The Bookseller | 2021-04-09 07:18:36 UTC ]
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When Dr. Seuss Enterprises announced it would no longer be publishing six of Dr. Seuss’s books which have aged problematically, the bookstore I work at in Scranton, Pennsylvania had a flurry of very concerned customers. People were coming up with stacks of his books along with an... Continue reading at Electric Literature
[ Electric Literature | 2021-04-07 11:00:00 UTC ]
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The two-year-old Oakland, Calif.-based "partnership publisher" is hoping to disrupt the publishing industry's traditional models. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-04-02 04:00:00 UTC ]
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Analysis: if Bertelsmann, owner of Penguin Random House, buys US publisher, writers expect smaller deals and less choice for readersUK watchdog investigates Penguin owner’s Simon & Schuster takeoverJokes circulated online when, in 2013, Penguin and Random House merged: would the new... Continue reading at The Guardian
[ The Guardian | 2021-03-22 23:24:23 UTC ]
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From LOLITA IN THE AFTERLIFE, edited by Jenny Minton Quigley. Reprinted by permission of Vintage Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. Essay copyright © 2021 by Robin Givhan. Compilation copyright © 2021 by Jenny Minton Quigley. The... Continue reading at Electric Literature
[ Electric Literature | 2021-03-17 11:00:00 UTC ]
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Across the publishing industry, there has been a growing shift towards a strategy of on-demand, and the disruptive events of 2020 and Covid-19 have only accelerated these changes. Continue reading at The Bookseller
[ The Bookseller | 2021-03-14 04:55:45 UTC ]
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I started querying agents for my memoir, Negative Space, in 2012, after two years of writing and revising. I got a few rounds of passes, including several friendly rejections in which agents said they just didn’t “know how to sell” my book. I heard this refrain enough times that I started... Continue reading at Electric Literature
[ Electric Literature | 2021-03-11 12:00:00 UTC ]
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Unless you’re a disgraced politician, trying to get a book published can be difficult, nerve-wracking, soul-denting work. If you’re anything like me, though, it really helps to hear that rejection is the rule in the publishing industry, rather than the exception. When my novel was out on... Continue reading at Literrary Hub
[ Literrary Hub | 2021-03-10 17:04:17 UTC ]
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Publishing has long relied on self-employed freelancers for a diverse range of roles. From editors and copywriters to illustrators and ghost-writers, the periplectic nature of creativity has long been such that impermanence is a norm. Against that context, the publishing industry faces the new... Continue reading at The Bookseller
[ The Bookseller | 2021-03-09 00:04:53 UTC ]
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When I left the publishing industry at the end of 2007, the first Kindle had gone on sale just a month earlier, Apple had not yet launched the iPad and few people in publishing knew what an app was. It was a very different world. Continue reading at The Bookseller
[ The Bookseller | 2021-03-05 11:09:47 UTC ]
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When we started sheltering in place at the beginning of the pandemic, in a burst of energy and optimism I haven’t experienced since, I started a social distance book club. I selected Lara Williams’s debut novel Supper Club, which I’d recently read, because I thought a book that centered on women... Continue reading at Electric Literature
[ Electric Literature | 2021-03-02 12:00:00 UTC ]
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Perhaps it’s not surprising that even the prose in illustrator Forsyth Harmon’s debut novel Justine is deeply imagistic. Reading this short, powerful story feels like wandering through a museum exhibit about teenage girlhood on Long Island in the summer of 1999. Narrator Ali and her friends feed... Continue reading at Electric Literature
[ Electric Literature | 2021-03-02 12:00:00 UTC ]
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Lauren Oyler’s debut novel brings the reader down a rabbit hole of endless, mindless scrolling, online identities, and conspiracy theories. Fake Accounts follows the journey of a young woman after she discovers that her boyfriend is running an Instagram account spouting dangerous conspiracies... Continue reading at Electric Literature
[ Electric Literature | 2021-02-26 12:00:00 UTC ]
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In Daniel Loedel’s haunting debut novel Hades, Argentina, Tomás Orilla returns to Buenos Aires—“a city made for forgetting as much for nostalgia”—ten years after fleeing the military dictatorship whose regime disappeared upwards of 30,000 thousand political opponents, including Isabel Aroztegui,... Continue reading at Electric Literature
[ Electric Literature | 2021-02-25 12:00:00 UTC ]
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While the pandemic sent shockwaves across the world’s publishing industry in 2020, some international markets reported strong performances with the US posting record-breaking sales while Australia also saw a major boost. Continue reading at The Bookseller
[ The Bookseller | 2021-02-25 01:03:16 UTC ]
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