The latest celebration of emerging literary talent brings thrills, charm and emotional punch to the page. But this new generation have taken an inward turn compared with the more worldly themes of bygone yearsEvery decade since 1983, an editor of the literary quarterly Granta has tasked a panel of writers and critics with naming the 20 best British novelists aged under 40. The first list, which included Martin Amis, Julian Barnes, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Pat Barker, William Boyd and Graham Swift, defined the nation’s literary fiction not just for a generation but a lifetime, at least for anyone young enough to be eligible for this year’s selection. Subsequent lists had star quality, too. In 1993, Hanif Kureishi and Alan Hollinghurst. In 2003 came Zadie Smith and Monica Ali, listed when Brick Lane was still a manuscript. The 2013 list spotlit Ross Raisin, Evie Wyld and David Szalay, who each went on to publish exceptional novels, while Naomi Alderman won the Women’s prize for The Power, now a hit TV series. If nobody talks them up as a golden generation, it probably says less about their calibre as writers and more about the diminishing clout of a marketing wheeze dreamed up when four-channel TV was still a novelty.The class of 2023 are a rangy bunch with some fantastic writing already under their belts. Eley Williams brings emotional punch to tickled wordplay. The slow-burn thrill of Eleanor Catton’s many-tentacled plotting. The tragicomic charm of... Continue reading at 'The Guardian'
[ The Guardian | 2023-04-16 06:00:03 UTC ]
Favorites among year's six Booker Prize finalists — which "shows the English language novel to be a form of world literature" — are Jim Crace and Eleanor Catton. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2013-09-11 00:00:00 UTC ]
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In an interview with Guernica magazine, literary agent Nicole Aragi discusses the crisis of literary fiction, why translated books don't sell in the US, and more. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2013-07-09 00:00:00 UTC ]
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For nearly a decade, some say even longer, people in the publishing industry have been decrying the death of the midlist. As the story goes, the industry consolidatedsmaller and midsize publishers were gobbled up and brought together into six large houses that themselves are small pieces of... Continue reading at Publishers Weekly
[ Publishers Weekly | 2011-11-04 00:00:00 UTC ]
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Written By: Charlotte Williams Publication Date: Tue, 18/10/2011 - 15:19 Digital publisher Open Road is launching a new imprint, Iconic E-books, with Erica Jong's Fear of Flying and Alice Walker's The Color Purple to be among its first titles. The Iconic E-Books titles will be those that have... Continue reading at The Bookseller
[ The Bookseller | 2011-10-18 00:00:00 UTC ]
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Written By: Charlotte Williams Publication Date: Fri, 05/08/2011 - 08:30 Pan Macmillan's Macmillan New Writing scheme will continue despite the head of the imprint leaving the company. Will Atkins, who worked at Pan Macmillan for five years and was its editorial director for fiction, has left... Continue reading at The Bookseller
[ The Bookseller | 2011-08-05 00:00:00 UTC ]
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Written By: Graeme Neill Publication Date: Wed, 25/05/2011 - 09:41 The safeguarding of Waterstone's future will secure the midlist of history and science writing, literary fiction and memoir, the m.d. of Faber has said. Stephen Page, writing in the Guardian, said if the Waterstone's... Continue reading at The Bookseller
[ The Bookseller | 2011-05-25 00:00:00 UTC ]
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