The latest celebration of emerging literary talent brings thrills, charm and emotional punch to the page. But this new generation have taken an inward turn compared with the more worldly themes of bygone yearsEvery decade since 1983, an editor of the literary quarterly Granta has tasked a panel of writers and critics with naming the 20 best British novelists aged under 40. The first list, which included Martin Amis, Julian Barnes, Kazuo Ishiguro, Ian McEwan, Salman Rushdie, Pat Barker, William Boyd and Graham Swift, defined the nation’s literary fiction not just for a generation but a lifetime, at least for anyone young enough to be eligible for this year’s selection. Subsequent lists had star quality, too. In 1993, Hanif Kureishi and Alan Hollinghurst. In 2003 came Zadie Smith and Monica Ali, listed when Brick Lane was still a manuscript. The 2013 list spotlit Ross Raisin, Evie Wyld and David Szalay, who each went on to publish exceptional novels, while Naomi Alderman won the Women’s prize for The Power, now a hit TV series. If nobody talks them up as a golden generation, it probably says less about their calibre as writers and more about the diminishing clout of a marketing wheeze dreamed up when four-channel TV was still a novelty.The class of 2023 are a rangy bunch with some fantastic writing already under their belts. Eley Williams brings emotional punch to tickled wordplay. The slow-burn thrill of Eleanor Catton’s many-tentacled plotting. The tragicomic charm of... Continue reading at 'The Guardian'
[ The Guardian | 2023-04-16 06:00:03 UTC ]
Climate change is conspicuously absent from most realist, literary fiction set in the present day. Hurricanes, wildfires, floods, droughts and other natural disasters are part of our daily lives, yet they’re absent, save for brief mentions of a news clip for a college protest from much of our... Continue reading at Electric Literature
[ Electric Literature | 2025-03-04 12:00:00 UTC ]
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“You see, but you do not observe.” –Sherlock Holmes, “A Scandal in Bohemia” * It all started with a book that made me curious. I was on a house call in Georgetown, invited to browse the personal book collection of a woman who used to be a professional rare book dealer like me. I spent […] Continue reading at Literrary Hub
[ Literrary Hub | 2025-02-19 10:58:39 UTC ]
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Sophie Lewis chronicles the rise and fall of #girlboss feminism: “The funeral for ‘trickle-down feminism,’ eerily, keeps repeating itself, suggesting that, every time we report that the girlboss is dead, we’re being wishful.” | Lit Hub Criticism Rebecca Romney on unearthing a legacy of... Continue reading at Literrary Hub
[ Literrary Hub | 2025-02-18 11:30:57 UTC ]
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Out of 1,100 submissions, writer Giada Scodellaro’s Ruins, Child has won the 2024 Novel Prize, and will be published early next year. The Novel Prize is awarded biennially to an unpublished work of literary fiction and “rewards novels that explore and expand the possibilities of the form, and... Continue reading at Literrary Hub
[ Literrary Hub | 2025-02-13 18:21:05 UTC ]
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Regular bookstores might be dying—but bookstores dedicated to romance novels are thriving thanks to TikTok and a desire for third places. Throughout Harvard Square, there are many bookshop brimming with the latest literary fiction and intellectual memoirs, patronized by scholarly types. But in... Continue reading at Fast Company
[ Fast Company | 2025-02-13 10:30:00 UTC ]
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1. Check the cover for clues. Literary fiction will have the title in Helvetica along with amorphous shapes in shades of that year’s Pantone color. Genre fiction will have a little cutout showing the face of either a wizard or a rakish duke. It opens to reveal the whole picture, and they’re... Continue reading at Electric Literature
[ Electric Literature | 2025-02-07 12:15:00 UTC ]
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This week, the book-reading internet was apparently in a mild uproar over six redesigns of Jane Austen novels, which will be published—with new introductions from popular contemporary YA romance novelists like Ali Hazelwood and Tessa Bailey—by Puffin, Penguin UK’s children’s imprint, in March.... Continue reading at Literrary Hub
[ Literrary Hub | 2025-02-04 14:47:27 UTC ]
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I purposely avoided reading the works of other Palestinian American novelists making their ways into the world as I wrote Too Soon. When I looked up, I saw my book would be a part of a literary wave I had no idea I was riding, an artistic movement, that felt particular to the Palestinian... Continue reading at Literrary Hub
[ Literrary Hub | 2025-01-22 09:59:55 UTC ]
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Richard Osman and Kate Mosse say plan to mine artistic works for data would destroy creative fieldsKate Mosse and Richard Osman have hit back at Labour’s plan to give artificial intelligence companies broad freedoms to mine artistic works for data, saying it could destroy growth in creative... Continue reading at The Guardian
[ The Guardian | 2025-01-14 17:52:02 UTC ]
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The average income for a writer is now £7,000. For our sake and the country’s, we need financial assistanceThis week will be like A-level results week for authors, but with added economic jeopardy. For a good whack of the 100,000 writers and translators in the UK, finding out how many books they... Continue reading at The Guardian
[ The Guardian | 2025-01-05 08:00:15 UTC ]
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I asked what your favorite 2024 queer books were, and here are the most popular responses, from queer literary fiction to M/M sports romance! Continue reading at Book Riot
[ Book Riot | 2024-12-26 11:15:00 UTC ]
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Writing fiction itself might be (and often is) considered an act of translation: from experience to language, from emotion to logic, from chaos to legibility. Perhaps it is a mere coincidence, or a stroke of good luck, then that these three fall debut novelists selected for our craft series each... Continue reading at Electric Literature
[ Electric Literature | 2024-12-17 12:00:00 UTC ]
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Among this spring’s most anticipated offerings are the latest novel from Susan Choi, about a father’s mysterious disappearance, and Colum McCann’s tale of transcontinental cables and the deep sea divers who repair them. Other noteworthy titles include novels by Morgan Jerkins, Torrey Peters,... Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-12-06 05:00:00 UTC ]
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I wrote What It’s Like in Words in my dressing room in the St Martin’s theatre in the West End whilst playing Miss Casewell in The Mousetrap, and over nine months and approximately 300 shows it occurred to me how similar the processes of writing and acting are. They may appear binary forms of... Continue reading at Literrary Hub
[ Literrary Hub | 2024-12-04 09:55:59 UTC ]
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Dogeaters wasn’t just the first Filipino American novel I ever read; it was the first work of literary fiction I picked up on my own outside of a classroom. I was in my mid-twenties. I had already flunked out of college twice, having spent exponentially more time behind turntables, picking... Continue reading at Literrary Hub
[ Literrary Hub | 2024-11-13 09:56:39 UTC ]
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Earlier this May, an Esquire article by Kate Dwyer called “Why Are Debut Novels Failing to Launch?” channeled the fear of debut novelists everywhere: What happens if no one buys my book? Book sales are an important way for editors and agents to gauge whether to invest in an author. If her first... Continue reading at The Millions
[ The Millions | 2024-10-16 12:00:00 UTC ]
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Breaking Bourgeois Taboos in Cairo: Ihsan Abdel Quddous’s A Nose and Three Eyes, by Gretchen McCullough Book Reviews [email protected] Mon, 10/14/2024 - 14:18 Five or six years ago, I was reading Ihsan Abdel Quddous (1919–1990) with my Arabic... Continue reading at World Literature Today
[ World Literature Today | 2024-10-14 19:18:43 UTC ]
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With earnings having dropped by 60%, it is harder than ever to keep going as a writer – even if your work gets rave reviewsThe 2022 publication of A Hunger, Ross Raisin’s fourth novel, was his “lowest moment”, the 45-year-old author says. “It was a deflating experience.”The book received... Continue reading at The Guardian
[ The Guardian | 2024-10-14 15:35:55 UTC ]
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Ever since novelists started mixing with Hollywood, film and prose have been easy bedfellows. A lot of authors are proud cinephiles. Others go so far as to credit movies as major form or content influences. And thanks to the fleet marketing department at Criterion and the rise of Letterboxd,... Continue reading at Literrary Hub
[ Literrary Hub | 2024-09-27 15:48:15 UTC ]
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