Dr. Anthony Fauci’s tightrope act

On March 3, Politico’s Sarah Owermohle profiled an unlikely media star for our unlikely times: Dr. Anthony Fauci, the veteran director of the National Institute of Allergy and Infectious Diseases. Fauci had demonstrated “an ability to talk frankly yet reassuringly about threats, to explain science, public health, and risk to the public in a way few can match,” Owermohle noted—and yet his visibility, since the coronavirus crisis began, had been subject “to the vagaries of a president who wants to declare the outbreak under control.” When Owermohle interviewed Fauci, rumors were circulating that the White House had moved to curb his public appearances, because his fact-based warnings about the virus were harshing Trump’s vibe. Fauci denied that he had been silenced, but acknowledged the precarity of his position. “You don’t want to go to war with a president,” he said. “But you got to walk the fine balance of making sure you continue to tell the truth.” White House officials reportedly saw the interview as an unwelcome distraction. In the eons since then, we have heard plenty more from Fauci. He’s become a familiar—and grimly comforting—fixture of our transformed information landscape, a capable voice of expertise at a time when such voices are both desperately needed and few and far between. The weekend before last, he appeared on all five of the major Sunday shows, a move known as “the full Ginsburg” (after Monica Lewinsky’s attorney, apparently). Trump himself has... Continue reading at 'Columbia Journalism Review'

[ Columbia Journalism Review | 2020-03-24 12:06:29 UTC ]

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A memoir of a family’s Holocaust complicity, with lessons for today

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Glenn Close is unrecognizable in the first trailer for Hillbilly Elegy.

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Your favorite modern horror movies, reimagined as ’70s mass market paperbacks.

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Former CIA director John Brennan takes on Trump, and doesn’t hold back

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Personal Space: Maggie Smith on Her Shift in Artistic Practice

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