Beyond Ekphrasis: Rereading Jean Giono’s Ennemonde, by Alice-Catherine Carls

Book Reviews Jean Giono at his home, Le Paraïs, in Manosque, France, 1942 / Photo by André Zucca / Courtesy Les Amis de Jean Giono Written late in life, “Le Haut Pays” and “Camargue”—once again paired in the Archipelago Books edition of Ennemonde, newly translated by Bill Johnston—offer a microcosm of French writer Jean Giono’s postwar écriture. Here, Alice-Catherine Carls takes the measure of the renewed fascination with Giono’s works, marked by half a dozen new translations into English in the past five years.   Ennemonde’s Genealogy When published in 1968 by Gallimard, Jean Giono’s Ennemonde et autres caractères (Ennemonde and other characters) had two nontitled parts, numbered I and II, no table of contents, and only a brief foreword containing a biography of Giono (1895–1970) and his own presentation of the book: Ennemonde is a simple tale that develops certain characters surrounded by their landscapes. Clef-des-coeurs had appeared furtively through Deux Cavaliers de l’orage.[1] Here he loves and dies in glory. Ennemonde will know pleasure, after a perfect crime. She lives on, old, huge, but very clean, and she listens for the rain. Other characters organize their lives (and also their love life) with trees, wild bees, sand, cattle, and secretary birds (serpentaires, also called huppes). Only the gold coins lover is carried away by two dogs.[2] By mixing episodes from both stories in the same sentence and linking at... Continue reading at 'World Literature Today'

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