Any images that are produced by giving a text prompt to current generative AI models, such as Midjourney or Stable Diffusion, cannot be copyrighted in the US. That's according to the US Copyright Office (USCO), which has equated such prompts to a buyer giving directions to a commissioned artist. "They identify what the prompter wishes to have depicted, but the machine determines how those instructions are implemented in its output," the USCO wrote in new guidance it published to the Federal Register."When an AI technology receives solely a prompt from a human and produces complex written, visual, or musical works in response, the 'traditional elements of authorship' are determined and executed by the technology — not the human user," the office stated.It noted that the level of human creativity involved in a work is a significant consideration as to whether it will grant copyright protection. It suggested that current AI models can't generate copyrightable work. "Based on the Office's understanding of the generative AI technologies currently available, users do not exercise ultimate creative control over how such systems interpret prompts and generate material," the USCO said. "In the Office’s view, it is well-established that copyright can protect only material that is the product of human creativity." In one famous case, the office ruled that it couldn't allow selfies taken by a monkey to be copyrighted.When it comes to works that contain material generated by an AI,... Continue reading at 'Engadget'
[ Engadget | 2023-03-16 17:42:43 UTC ]
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The future of diversity charity Creative Access, which has placed more than 100 interns from ethnic minority backgrounds in companies across the trade, is in jeopardy after the government pulled more than £2m worth of funding. Continue reading at The Bookseller
[ The Bookseller | 2016-12-14 00:00:00 UTC ]
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In a long-awaited first move toward U.S. copyright reform, the House Judiciary Committee this week backed the creation of an autonomous Copyright Office. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-12-08 00:00:00 UTC ]
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The outcry began with a Facebook post: An actress, known for her role in “Django Unchained,” and her boyfriend accused a white Los Angeles police officer of mistreating her because she was black. The accusation touched a nerve at a time of increased public scrutiny of police, particularly how... Continue reading at Los Angeles Times
[ Los Angeles Times | 2016-12-07 00:00:00 UTC ]
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OK, it's not exactly Dickens. But how about a great story delivered to you by text message? Continue reading at Stuff
[ Stuff | 2016-12-05 00:00:00 UTC ]
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When I reviewed the Amazon Echo 13 months ago, I predicted that people would want one in every room. The Echo can control your home’s lighting, play music, estimate your commute time, operate a timer, answer trivia questions, read books and news bulletins to you, tell you which movies are at... Continue reading at PC World
[ PC World | 2016-11-15 00:00:00 UTC ]
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The Society of Authors has welcomed the European Court's ruling on e-lending, which it argues removes “the final barrier” to applying Public Lending Right (PLR) to the remote lending of ebooks and audiobooks. Continue reading at The Bookseller
[ The Bookseller | 2016-11-15 00:00:00 UTC ]
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Canadian national organisation Access Copyright is warning creators and publishers that 2017 royalties could fall by as much as 55% due to a reduction in revenue from the educational sector. Continue reading at The Bookseller
[ The Bookseller | 2016-11-12 00:00:00 UTC ]
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Europe has ruled (PDF) that ebooks can be lent out just like their physical counterparts. That is, as noticed by Ars Technica, one copy can be "checked out" by one person at a time. After the lending period expires, that user can no longer use the b... Continue reading at Engadget
[ Engadget | 2016-11-11 00:00:00 UTC ]
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The Court of Justice of the European Union has ruled that lending of ebooks and physical books should be treated the same. Publishers immediately objected to the decision, fearing unrestricted ebook lending would cut into revenues. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-11-11 00:00:00 UTC ]
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Natalie Jerome writes a letter to the next generation of black, Asian and minority ethnic publishers. Continue reading at The Bookseller
[ The Bookseller | 2016-11-04 00:00:00 UTC ]
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The publisher has a 20-point lead in market share over its closest competitor, HarperCollins. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-11-04 00:00:00 UTC ]
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In her first major move, Librarian of Congress last week Carla Hayden removed Maria Pallante as Register of Copyrights. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-10-28 00:00:00 UTC ]
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Egmont Publishing has acquired world rights to a second picture book text by Sam Hay, author of Do Not Wash This Bear. Continue reading at The Bookseller
[ The Bookseller | 2016-10-22 00:00:00 UTC ]
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Abrams has announced plans to launch an as-yet-unnamed imprint with a focus on narrative nonfiction. Jamison Stoltz has been brought aboard as executive editor, effective immediately. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-10-17 00:00:00 UTC ]
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This thriller about a cricket player has risen to the top of Australian bestseller lists after just a month on sale, helped along, its editor said, by a smart marketing campaign and wide-reaching support from indie booksellers. Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-10-11 00:00:00 UTC ]
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The last major updates to the Singapore Copyright Act were in 2004, before the era of tablets, e-readers, and smartphones. The law, which was enacted in 1987, is in urgent need of an overhaul to address the opportunities that have arisen from new technologies, and to close the loopholes that may... Continue reading at Publishers Weekly
[ Publishers Weekly | 2016-10-07 00:00:00 UTC ]
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If a court rules that photographer Carol Highsmith must pay to publish her own work, it sets a scary precedent for public-domain art. If a court rules that photographer Carol Highsmith must pay to publish her own work, it sets a scary precedent for public-domain art.Could... Continue reading at Fast Company
[ Fast Company | 2016-10-04 00:00:00 UTC ]
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Positioning copyright issues and related content-management approaches, Frankfurt Book Fair premium partner Copyright Clearance Center has a series of event The post Copyright Clearance Center Partnership Highlights Rights Issues at Frankfurt appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2016-09-29 00:00:00 UTC ]
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As writers learn that tech giant has processed their work without permission, the Authors Guild condemns ‘blatantly commercial use of expressive authorship’When the writer Rebecca Forster first heard how Google was using her work, it felt like she was trapped in a science fiction novel. “Is this... Continue reading at The Guardian
[ The Guardian | 2016-09-28 00:00:00 UTC ]
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Chasing scale has overwhelmingly driven digital publishing, but veteran tech journalist Josh Topolsky believes there's a sustainable digital model for thoughtful journalism that doesn’t require joining the race for scale or doing Facebook’s bidding. For his forthcoming site The Outline, he wants... Continue reading at Digiday
[ Digiday | 2016-09-22 00:00:00 UTC ]
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