Frank Langfitt’s “The Shanghai Free Taxi” offers an unusual perspective on a rapidly changing country. Continue reading at 'The Washington Post'
[ The Washington Post | 2019-07-11 14:35:47 UTC ]
This 27-year-old publisher (“a veritable young man in the industry,” says editor-in-chief Bai Bing) is less concerned with generating more new titles than publishing quality content for children. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Beijing Dandelion Children’s Book House grew from three full-time staff (counting founder and editor-in-chief Sally Yan) in 2007 to eight within a year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Over the past decade, China has imported classic children’s books of all genres from the West at a rate far faster than it would have taken another country or territory to accomplish, observes director Chen Yushiuan of Beijing-based Bardon Chinese Media Agency. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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This year marked the 60th anniversary of Xinjiang Juvenile Publishing House, which is located in Xinjiang, a province that makes up one-sixth of China’s total land area and borders eight countries, including Afghanistan, India, Kazakhstan, and Russia. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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With three offices in China and one in Lebanon, Anhui Children’s Publishing House adds about 800 new titles annually to its 15,000-title catalogue. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Located in Beijing’s central business district, the two-story Juvenile & Children Reading Experience Wonderland is a full-fledged subsidiary of China Children’s Press & Publication Group. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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With its 2016 sales accounting for at least 7.5% of the Chinese children’s book market, Zhejiang Juvenile & Children’s Publishing House is the indisputable #1 children’s publisher in the country, a position it has occupied for the past 14 years. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Children’s Fun Publishing is a joint venture between Egmont Group and Posts & Telecommunications Press, so the wealth of foreign works in its 6,000-title catalogue is not surprising. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Striving to uphold its stated mission to be “a kid’s best friend,” Hunan Juvenile & Children’s Publishing House has been on a 35-year journey to assemble the best children’s materials from near and far. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Established in 1952, Juvenile & Children’s Publishing House was China’s first professional children’s publisher and is part of the much larger Shanghai Century Publishing. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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Voted Best Children’s Publisher in Asia at the 2015 Bologna Children’s Book Fair, 21st Century Publishing Group has come a long way in its 32 years. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-17 00:00:00 UTC ]
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'Last year there were five Chinese publishing companies in the world’s top 20,' IPA's new chief says at London Book Fair. The post IPA’s Michiel Kolman on China: ‘A $10 Billion Concern’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2017-03-16 00:00:00 UTC ]
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In partnership with the Book Industry Charitable Foundation, AdventureKEEN will give 100% of the profits from the sales of its books at independent bookstores, this June, to booksellers in need. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-03-15 00:00:00 UTC ]
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Facebook has replaced a key metric it made available on Facebook Insights, which allows publishers and other page owners to track video performance on the platform. The post Facebook wants longer videos, but takes away key view metric appeared first on Digiday. Continue reading at Digiday
[ Digiday | 2017-02-24 00:00:00 UTC ]
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Women's Wear Daily, the so-called "bible of fashion," will be altering its print schedule for the second time in two years and letting go of several staffers. WWD confirmed to Adweek that it will cease publishing regular, weekly print editions and instead print only special editions. "We will... Continue reading at AdWeek
[ AdWeek | 2017-02-24 00:00:00 UTC ]
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Pulitzer Prize-winning photographer David Grunfeld began his pursuit of photojournalism at Syracuse University, covering basketball and football for student newspaper The Daily Orange as well as other topics for the school magazine. Today, that lineage continues in crisp and clear fashion on the... Continue reading at AdWeek
[ AdWeek | 2017-02-20 00:00:00 UTC ]
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Concern over the Trump administration was a central theme at the Washington D.C. event. Continue reading at Publishers Weekly
[ Publishers Weekly | 2017-02-17 00:00:00 UTC ]
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The Treasury has hit back at so-called "scaremongering" reports, reassuring businesses that the vast majority will see no change to their business rate bills in April. Continue reading at The Bookseller
[ The Bookseller | 2017-02-17 00:00:00 UTC ]
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Paula Hawkins reclaims her crown at the top of the Weekly E-Book Ranking chart, while Ann Cleeves' latest Shetlands title Cold Earth moves into second place. Continue reading at The Bookseller
[ The Bookseller | 2017-02-17 00:00:00 UTC ]
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Tom Kerridge’s Dopamine Diet (Absolute) has boomeranged back into the number one spot, selling 15,532 copies for £131,405. Continue reading at The Bookseller
[ The Bookseller | 2017-02-15 00:00:00 UTC ]
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