"Our love of the print book is problematic," writes Bath Spa University's Rosie Maynard, "causing people left, right and centre to declare ‘THE BOOK IS DEAD’ or some variation thereof." A couple of years ago, everyone in what I call "the industry! the industry!" passed around a ridiculous video in which stop-frame animation gave us a whole bookshop's inventory dancing on the shelves after hours. "The magic of books!" all our weepy colleagues called it. Really? The magic is that they tap-dance around stores at night? Continue reading at 'The Bookseller'
[ The Bookseller | 2015-11-19 00:00:00 UTC ]
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"This capability is what we lost 500 years ago with the Gutenberg book." And Akim Ozakil, founder of the two-year-old Alternate Worlds digital publisher in the San Francisco area, calls that lost capability "mutation," by which he means the ability for readers to impact a story. What's printed,... Continue reading at The Bookseller
[ The Bookseller | 2015-11-03 00:00:00 UTC ]
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"The gold rush is over," writes Auckland-based author Gary McLaren, seeing it as a natural market phenomenon that, "the supply of new books was eventually going to exceed demand" in digital publishing. Continue reading at The Bookseller
[ The Bookseller | 2015-10-13 00:00:00 UTC ]
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"I want to work in a flourishing industry known for its competence, kindness, innovation and creativity." In one of the clearest iterations yet of her call for contemporary skills in a venerable industry, regular FutureBook contributor Emma Barnes of Bibliocloud and Snowbooks draws up a... Continue reading at The Bookseller
[ The Bookseller | 2015-10-13 00:00:00 UTC ]
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"There are too many adjectives in publishing already," writes Carla Douglas. An editor based in Kingston, Ontario, Douglas is a frequent participant in our #FutureChat Twitter discussions and an engaging observer of the creative scene in publishing. Continue reading at The Bookseller
[ The Bookseller | 2015-10-12 00:00:00 UTC ]
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"Ultimately, publishing comes down to six irreducible elements." And in laying out those elements for us in her FutureBook 2015 manifesto, it takes publishing consultant Alison Jones only to element No. Continue reading at The Bookseller
[ The Bookseller | 2015-10-01 00:00:00 UTC ]
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"The future of the book business will certainly be unveiled on a digital platform." Even as some believe that ebooks' progress has been staggered by a retreat to print, Trajectory c.e.o. and co-founder Jim Bryant is undaunted in his vision for the primacy of "relevancy and discovery" inherent in... Continue reading at The Bookseller
[ The Bookseller | 2015-09-25 00:00:00 UTC ]
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If you haven't yet thought of "the power of mobile devices in billions of pockets," now might be a good moment. Ron Martinez, founder and chief of San Francisco-based Aerbook, suggests fighting democratisation with democratisation, when it comes to "an accidental monolith, say, in the U.S. Continue reading at The Bookseller
[ The Bookseller | 2015-09-23 00:00:00 UTC ]
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"One of the reasons many of the greatest novels ever published are so long," writes Len Epp, "is that they were already hits while they were being written." Serials, writes Leanpub co-founder Epp, are the true approach to traditional publishing. Only in the last century, he contends, did we come... Continue reading at The Bookseller
[ The Bookseller | 2015-09-21 00:00:00 UTC ]
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"For many years, I've had the classic problem of being able to wallpaper my apartment with all the rejection letters I've received." Thus, Teymour Shahabi in New York says in the first of a series of videos on his site, he has decided to "experiment with some of the new ways people are... Continue reading at The Bookseller
[ The Bookseller | 2015-09-16 00:00:00 UTC ]
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"Just as portable paint tubes revolutionized the act of making art for painters like Monet and Renoir, the digital revolution is transforming the art book," writes critic Carol Strickland. The author of a digital book for iPad on impressionism in Erudition's Masterpieces of Art series,... Continue reading at The Bookseller
[ The Bookseller | 2015-09-15 00:00:00 UTC ]
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"Trade publishing seems mostly to have forgotten it even has a neighbour," says Alastair Horne in his #FutureBook15 manifesto. "Unlike the music and trade publishing industries, scholarly publishing went digital of its own volition, and kept control of its routes to market." Horne admonishes,... Continue reading at The Bookseller
[ The Bookseller | 2015-09-10 00:00:00 UTC ]
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In his article, Those magnificent manifestos, The Bookseller editor Philip Jones reviews his call for the FutureBook audience to reflect on five years of digital "to challenge the customs we have begun to adopt." The response is so robust that I've extended our deadline for submissions of... Continue reading at The Bookseller
[ The Bookseller | 2015-09-05 00:00:00 UTC ]
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In his article, Those magnificent manifestos, The Bookseller editor Philip Jones reviews his call for the FutureBook audience to reflect on five years of digital "to challenge the customs we have begun to adopt." The response is so robust that I've extended our deadline for submissions of... Continue reading at The Bookseller
[ The Bookseller | 2015-09-04 00:00:00 UTC ]
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Rethinking ebooks, bridging the gap between trade and non-trade publishing, using digital to improve the publishing process, and putting authors in control, are the main themes to have come out of FutureBook’s request for 500 word manifestos about the future of the book business. Continue reading at The Bookseller
[ The Bookseller | 2015-09-02 00:00:00 UTC ]
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In his call for Your five-minute manifesto for FutureBook, The Bookseller editor Philip Jones writes that part of the planning of our FutureBook Conference this year (4th December at The Mermaid) is "to take this recent history of the book business and reflect on the job still to do." To that... Continue reading at The Bookseller
[ The Bookseller | 2015-08-28 00:00:00 UTC ]
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In his call for Your five-minute manifesto for FutureBook, The Bookseller editor Philip Jones wrote that part of the planning of our FutureBook Conference this year (4th December at The Mermaid) is "to take this recent history of the book business and reflect on the job still to do." To that... Continue reading at The Bookseller
[ The Bookseller | 2015-08-21 00:00:00 UTC ]
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In his call for Your five-minute manifesto for FutureBook, The Bookseller editor Philip Jones wrote that part of the planning of our FutureBook Conference this year (4th December at The Mermaid) is "to take this recent history of the book business and reflect on the job still to do." To that... Continue reading at The Bookseller
[ The Bookseller | 2015-08-14 00:00:00 UTC ]
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Andrea Fuentes of illustrated books publisher La Caja de Cerillos — Match Box Editions — outlines how she is trying to revolutionize reading in Mexico The post A Publishing Manifesto from Mexico’s Match Box Editions appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2015-04-22 00:00:00 UTC ]
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Philip Pullman’s His Dark Materials series is released today (5th March) in ebook format for the first time. Penguin Random House, which owns the digital rights to the trilogy, is publishing Northern Lights, The Subtle Knife and The Amber Spyglass as ebooks, priced at £5.49 each. It is also... Continue reading at The Bookseller
[ The Bookseller | 2015-03-06 00:00:00 UTC ]
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