He saw the world’s cruel absurdities through a comic lens, writes Boyd, who recalls his very first meeting with Amis – and explains why his unmistakable voice will never be forgotten• John Self on Amis: ‘He stamped his style over a generation’• Geoff Dyer on Amis: ‘Mick Jagger in literary form’The awful news of Martin Amis’s death prompts a rush of memories. I first met him in 1969, in Paris, when we both found ourselves staying in the same apartment on the Île Saint-Louis for a few days. I was 17, Martin was 20. I only realised who this Martin guy was four years later when his first novel, The Rachel Papers, appeared. In a strange but real sense, he was the first writer I had ever met. And thus began an acquaintance as an avid reader and later as a friend.The remarkable thing about that first novel was the utter confidence and distinctiveness of the narrative voice. Martin found his style at the very beginning of his career as a writer and it never changed. That voice he had defined and charged everything else he wrote – fiction, essays, journalism, memoirs. Very few writers can be instantly identified by a sentence or two of their prose – Laurence Sterne, Charles Dickens, James Joyce, DH Lawrence, Vladimir Nabokov – and Martin precociously joined that elite group and stayed there. Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2023-05-22 07:00:49 UTC ]
The sharpest review of Vladimir Nabokov’s memoir, “Speak, Memory,” was written by Nabokov himself. Continue reading at New Yorker
[ New Yorker | 1998-12-21 00:00:00 UTC ]
More news stories like this