The newspaper owners behind Ipso are ignoring the public, so we need to think about building a robust, independent regulatorWhen I was seven years old I launched my own newspaper. For several days I laid bare hypocrisy and corruption in our small Yorkshire village. Publication lapsed when the new edition of the Beano arrived. Years later, I got my first job with a real newspaper. I loved it – the energy, the camaraderie, the jargon. I was delighted to find that production editors still talk about going "off stone" when they go to print, just as the first publishers did in the 15th century.The old talk of stones and presses is dying as new technology transforms the media landscape. Yet the core function of journalism remains, whether it comes in a weekly bundle or a live feed: to entertain and inform, build our communities and speak truth to power.Newspapers play a unique role in society. But that doesn't mean there are no rules. The ethical standards which distinguish journalism from tittle-tattle or malicious gossip are set out clearly in the editors' code. It's because journalism has the public interest at its heart that we allow the press to regulate itself. But this is not a one-way street. The public expect something in return – respect.Since Lord Justice Leveson published his report last November, the public have echoed his call for a truly independent regulator which would deal robustly with code breaches and provide access to justice through an arbitration scheme.... Continue reading at 'The Guardian'
[ The Guardian | 2013-12-08 00:00:00 UTC ]
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Ayodele "WordSlanger" Nzinga, honored for her theater innovation, is co-editing a bilingual anthology with Oso Perezoso Press, launched by indie publisher J.K. Fowler. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-24 04:00:00 UTC ]
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Publishers and booksellers worked together to secure an exemption from the EU's late payment legislation, a decision that protects the publishing's unique business model. The post World Book Day: EU to Exclude Book Industry from Late Payment Regulations appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2024-04-23 23:25:00 UTC ]
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Do you like rip-roaring science fiction books? Do you like movies? Then you are in for a treat in, well, two years. Amazon MGM Studios just set a release date of March 20, 2026 for Project Hail Mary, according to Deadline. It’s based on the Andy Weir novel of the same name, which was one of our... Continue reading at Engadget
[ Engadget | 2024-04-19 17:44:40 UTC ]
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A life in independent publishing requires moxie, malleability, and, of course, money. Just ask these presses, all of which were founded within the past decade. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-19 04:00:00 UTC ]
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A nonprofit that distributed books for many of the country’s small presses has closed, and the fallout could affect the publishing industry in ways both big and small. Continue reading at The New York Times
[ The New York Times | 2024-04-17 09:03:54 UTC ]
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PW caught up with the bestselling author of 'Waking the Tiger: Healing Trauma,' who shares his own story of trauma and healing in his latest book an 'Autobiography of Trauma: A Healing Journey,' out this month from Park Street Press. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-17 04:00:00 UTC ]
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The community and access coordinator at the Iowa City Public Library discusses their experience on the front lines of one of the nation’s most intense legal and legislative battles over the freedom to read and the very real impact book banning campaigns have on the LGBTQ community. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-12 04:00:00 UTC ]
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‘In Universes,’ Emet North’s debut novel, explores queer love and the multiverse Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-12 04:00:00 UTC ]
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Ingram Publisher Services has told former Small Press Distribution clients that they have 60 days to remove inventory from its warehouse, prompting some publishers to panic, and Independent Publishers Group will participate in two informational sessions for small presses early this week. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-08 04:00:00 UTC ]
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The New Press publisher Ellen Adler will step down from that role at the end of September, leaving the independent publisher of progressive books after a 21-year run. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-04-04 04:00:00 UTC ]
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Workers at Oxford University Press are threatening to strike, alleging the publishing house is moving jobs abroad and has stonewalled the union in salary negotiations. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-29 04:00:00 UTC ]
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The closure of SPD, one of the last independent distributors remaining in the United States, is the latest blow to small presses looking for options to get their titles into bookstores and other accounts. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-28 04:00:00 UTC ]
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A proposal in ongoing contract negotiations between PEN America management and PEN America United, its staff union, has led to charges by the union that the organization’s leadership is trying to stifle union members’ free speech rights—an assertion PEN management firmly disputes. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-28 04:00:00 UTC ]
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Former nun Catherine Coldstream shares the story of her 12 years at a Carmelite monastery in a debut memoir out this month, 'Cloistered' (St. Martins), which earned a starred review from PW. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-19 04:00:00 UTC ]
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At the Salt Lake City–based press, founder Kenechi Uzor aims to “champion African perspectives,” publishing five to 10 English-language originals and works in translation by African authors annually. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-03-18 04:00:00 UTC ]
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The Times’s critic Alissa Wilkinson discusses Frank Herbert’s classic science fiction novel and Denis Villeneuve’s film adaptations. Continue reading at The New York Times
[ The New York Times | 2024-03-15 18:52:12 UTC ]
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