Why do authors always ask for readers to leave reviews? Do reviews really help sell their books? Bottom line: yes. Continue reading at 'Book Riot'
[ Book Riot | 2022-03-30 10:35:00 UTC ]
In this week’s issue, A.O. Scott writes about Wallace Stegner. In 1948, Stegner wrote for the Book Review about universities as a place for training writers. Continue reading at The New York Times
[ The New York Times | 2020-06-05 09:00:03 UTC ]
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News and Events The Editors of WLT From left to right, prose winner Jamie Lauer and writer Pía Barros, poetry winner Russell Karrick, poet Lucía Estrada. Jamie Lauer and Russell Karrick recently were named as the recipients of the third annual... Continue reading at World Literature Today
[ World Literature Today | 2020-05-18 13:29:17 UTC ]
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In 1948, Stephen Spender wrote for the Book Review about Albert Camus’s “The Plague,” a novel about an epidemic spreading across the French Algerian city of Oran. Continue reading at The New York Times
[ The New York Times | 2020-05-15 18:03:35 UTC ]
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In 1999, David Papineau wrote for the Book Review about “Flu,” Gina Kolata’s book about the 1918 influenza pandemic and the hunt for the virus that caused it. Continue reading at The New York Times
[ The New York Times | 2020-04-09 09:00:05 UTC ]
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This week, Lorrie Moore discusses her life as a reader in By the Book. In 1985, Moore wrote for the Book Review about “Galápagos,” Kurt Vonnegut’s novel about a group of survivors stranded on the Galápagos Islands because of an apocalypse. Continue reading at The New York Times
[ The New York Times | 2020-03-27 09:00:00 UTC ]
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In this week’s issue, Natasha Singer reviews “Facebook: The Inside Story,” by Steven Levy. In 1992, William Poundstone wrote for the Book Review about “Artificial Life,” Levy’s book about the science and nuance of life creation in silico. Continue reading at The New York Times
[ The New York Times | 2020-03-13 09:00:04 UTC ]
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Size matters. At least when it comes to your inactive email list. That’s a message Google and other email providers have made loud in clear to publishers with bloated email lists. Email deliverability is an ongoing concern in publishing as spam filters become more selective, which in turn are... Continue reading at Folio Magazine
[ Folio Magazine | 2020-02-27 16:59:28 UTC ]
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This week, Karen Thompson Walker reviews Gish Jen’s new novel, “The Resisters.” In 1999, Jean Thompson wrote for the Book Review about “Who’s Irish?,” Jen’s collection of short stories about the ambitions and compromises of immigrants and their children. Continue reading at The New York Times
[ The New York Times | 2020-02-21 10:00:05 UTC ]
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This week, Leslie Jamison reviews Jenny Offill’s new novel, “Weather.” In 2014, Roxane Gay wrote for the Book Review about “Dept. of Speculation,” Offill’s novel about a fractured marriage between a writer and a radio broadcaster. Continue reading at The New York Times
[ The New York Times | 2020-02-07 14:53:13 UTC ]
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This week, Kevin Wilson reviews Stephen Wright’s new novel, “Processed Cheese.” In 2006, Laura Miller wrote for the Book Review about “The Amalgamation Polka,” Wright’s novel about the descendant of both ardent abolitionists and unwavering slaveholders. Continue reading at The New York Times
[ The New York Times | 2020-01-31 10:00:10 UTC ]
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This week, Jabari Asim reviews a collection of short stories by Zora Neale Hurston. In 1978, Henry Louis Gates Jr. wrote for the Book Review about Robert Hemenway’s “Zora Neale Hurston: A Literary Biography.” Continue reading at The New York Times
[ The New York Times | 2020-01-24 10:00:06 UTC ]
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“Anyone can be a critic.” It’s a common lament these days now that the book review landscape is changing. English professors and book reviewers in newspapers aren’t the only tastemakers in literary criticism anymore: Goodreads community members, anonymous or top reviewers on Amazon, and... Continue reading at Literrary Hub
[ Literrary Hub | 2020-01-23 09:48:23 UTC ]
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This week, Anand Giridharadas reviews “The New Class War,” by Michael Lind. In 2014, Giridharadas wrote for the Book Review about “The Short and Tragic Life of Robert Peace,” in which Jeff Hobbs wrote about his murdered college roommate. Continue reading at The New York Times
[ The New York Times | 2020-01-16 22:37:52 UTC ]
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This week, Claire Jarvis reviews a biography of Virginia Woolf by Gillian Gill. In 1990, John Mortimer wrote for the Book Review about “Agatha Christie: The Woman and Her Mysteries,” Gill’s biography of Christie. Continue reading at The New York Times
[ The New York Times | 2020-01-10 10:00:03 UTC ]
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This week, Annalisa Quinn reviews John L’Heureux’s story collection “The Heart Is a Full-Wild Beast.” In 1984, L’Heureux wrote for the Book Review about “The Best American Short Stories 1984,” selected by John Updike. Continue reading at The New York Times
[ The New York Times | 2020-01-03 10:00:04 UTC ]
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This week, Scott Simon reviews the poet Thomas Lynch’s collection of essays “The Depositions.” In 1997, Susan Jacoby wrote for the Book Review about “The Undertaking,” Lynch’s collection of essays about being a funeral director. Continue reading at The New York Times
[ The New York Times | 2019-12-27 10:00:04 UTC ]
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This week, Lauretta Charlton reviews Darryl Pinckney’s collection of essays “Busted in New York.” In 1992, Edmund White wrote for the Book Review about “High Cotton,” Pinckney’s debut novel about a young black man coming of age. Continue reading at The New York Times
[ The New York Times | 2019-12-20 10:00:00 UTC ]
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This week, Josh Duboff reviews André Aciman’s “Find Me,” the sequel to his 2007 novel “Call Me by Your Name.” In 1995, Barry Unsworth wrote for the Book Review about “Out of Egypt,” Aciman’s memoir chronicling the family that shaped his life. Continue reading at The New York Times
[ The New York Times | 2019-12-13 10:00:09 UTC ]
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One article shifted the culture. Ronald K.L. Collins wonders whether it could happen today. Continue reading at The Washington Post
[ The Washington Post | 2019-12-13 07:10:24 UTC ]
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In 2015, Kekla Magoon wrote for the Book Review about “All American Boys,” a Y.A. novel written by Jason Reynolds and Brendan Kiely about a black teenager and a white teenager grappling with an instance of police brutality. Continue reading at The New York Times
[ The New York Times | 2019-11-08 14:54:04 UTC ]
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