Ashley Hickson-Lovence, Abir Mukherjee, Courttia Newland, Guy Gunaratne, Paul Mendez and Okechukwu Nzelu on why British writers of colour are left out of the conversationAfter this week’s Booker prize longlist was announced, the Times asked “Where are the new male hotshot novelists?” I was expecting to see the article discussing the brilliant fiction by men, in particular men of colour, being written at the moment, but they were only mentioned in passing. It seemed the hotshot British male novelists the Times was looking for were really British, male and white.It’s exhausting that one of the reasons offered for the dearth of these voices is the industry’s efforts to “introduce more racial diversity to their lists”, posing diversity and inclusion once again as pitting people against each other. Ask any Black or Brown writer if they’re the reason white men are being shut out of the books world and they’ll probably shout, because the alternative is crying. In 2016, only one debut novel from a Black British male author was published in the UK. As the Black Writers’ Guild says, despite efforts across the industry, change isn’t happening fast enough.Rainbow Milk by Paul Mendez is published by Dialogue BooksIn Our Mad and Furious City by Guy Gunaratne is published by Tinder PressA River Called Time by Courttia Newland will be published by Canongate in January 2021The Private Joys of Nnenna Maloney by Okechukwu Nzelu is published by Dialogue BooksThe 392 by Ashley Hickson-Lovence... Continue reading at 'The Guardian'
[ The Guardian | 2020-07-31 14:10:18 UTC ]
‘There was something Shakespearean about imperious men going down on you: the mighty have fallen.’ An extract from Naoise Dolan’s debut novel Exciting Times. The post Exciting Times appeared first on Granta. Continue reading at Granta
[ Granta | 2020-04-14 08:55:03 UTC ]
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Doctors, novelists and other writers are exploring, as quickly as they can, the pandemic’s impact on a country that was among its earliest victims. Continue reading at The New York Times
[ The New York Times | 2020-04-09 14:40:54 UTC ]
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“How Much of These Hills Is Gold,” by C Pam Zhang, reimagines the region’s past as a Chinese-American tale. Continue reading at The New York Times
[ The New York Times | 2020-04-07 09:00:07 UTC ]
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At once subversive and searching, the debut novel focuses on two sisters on the run whose roots lie in an unnamed country “from beyond the ocean.” Continue reading at The Washington Post
[ The Washington Post | 2020-04-06 20:54:23 UTC ]
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Chelsea Bieker's 'Godshot,' a surreal debut novel set in the parched Central Valley, depicts a fundamentalist rain cult and sex worker resisters. Continue reading at Los Angeles Times
[ Los Angeles Times | 2020-04-06 14:30:59 UTC ]
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Kawai Strong Washburn’s debut novel envisions an archipelago of Indigenous peoples who refuse to be erased. Continue reading at The New York Times
[ The New York Times | 2020-03-31 12:43:39 UTC ]
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The debut novel intersperses the story of a tech reporter in Silicon Valley with Facebook posts, tweets, Google results and other fragments. Continue reading at The Washington Post
[ The Washington Post | 2020-03-27 13:00:00 UTC ]
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In Megan Giddings’s debut novel Lakewood, desperation leads to a loss of self in a capitalist medical system bent on taking advantage of Black people and their bodies. After the death of her grandmother, Lena, a college student struggling with overwhelming medical debt and taking care of her... Continue reading at Electric Literature
[ Electric Literature | 2020-03-24 11:00:00 UTC ]
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Cultural Cross Sections Baret Magarian Photos by Pierpaolo Florio A novelist living in quarantine in Florence looks back at Italy’s cultural history and then forward, considering whether something positive might rise from the ruins that the virus will... Continue reading at World Literature Today
[ World Literature Today | 2020-03-23 21:14:07 UTC ]
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Head of Zeus is to publish the debut novel of Nicole Kennedy, a former city lawyer. Continue reading at The Bookseller
[ The Bookseller | 2020-03-23 14:35:00 UTC ]
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Two novelists have partnered to build A Mighty Blaze, a initiative to promote other authors and their new books on social media. Continue reading at Publishers Weekly
[ Publishers Weekly | 2020-03-23 04:00:00 UTC ]
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“My Dark Vanessa” will strike a chord with women. But it ought to be read by men Continue reading at The Economist
[ The Economist | 2020-03-21 00:00:00 UTC ]
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MARA FAYE LETHEM is one of the translators of Albert Sánchez Piñol, a Catalan writer whose debut novel Cold Skin, a sparse psychological thriller, caused a sensation in Spain. Lethem also translated Piñol’s second novel, Pandora in the Congo, a fabulist tale that is by turns laugh-out-loud funny... Continue reading at Los Angeles Review of Books
[ Los Angeles Review of Books | 2020-03-19 19:00:32 UTC ]
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“My Dark Vanessa” will strike a chord with women. But it ought to be read by men Continue reading at The Economist
[ The Economist | 2020-03-19 15:48:46 UTC ]
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TFW you didn't love the debut novel and are completely taken by surprise when you fall head over heels for that same author's second book. Continue reading at Book Riot
[ Book Riot | 2020-03-19 10:35:57 UTC ]
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First-time novelists with books out or coming soon talk about their changes of plans and how they’re spending these unusual days. Continue reading at The New York Times
[ The New York Times | 2020-03-18 20:00:14 UTC ]
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Bloomsbury Publishing has won Imogen Crimp’s debut novel, The High Notes, in a four-way auction. Continue reading at The Bookseller
[ The Bookseller | 2020-03-17 18:04:44 UTC ]
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Hilary Leichter’s destabilizing debut novel imagines a productivity-centric dystopia, not far off. Continue reading at Guernica
[ Guernica | 2020-03-13 14:00:59 UTC ]
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For centuries, novelists and fiction writers have imagined what plagues and virus outbreaks could look like, and many readers are seeking these books out amid concerns about the coronavirus. Continue reading at The New York Times
[ The New York Times | 2020-03-12 09:00:29 UTC ]
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The annual “State of Racial Diversity in Romance Publishing Report” has been released, surveying more than 2,400 romance titles published in 2019. It discovered that for every 100 romance books published in 2019, only 8.3 were written by people of color. Continue reading at Publishers Weekly
[ Publishers Weekly | 2020-03-10 04:00:00 UTC ]
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