In post 11/8 America, the citizenry became more aware, more active, more willing to submit themselves to self-examination. Yet while the world of journals both print (Freeman’s), and online (Guernica, Lit Hub, Electric Literature), have increased their commitment to the exploration of socio-political realities in their literature, and while even the usually slow-moving publishing world […] Continue reading at 'Literrary Hub'
[ Literrary Hub | 2020-04-16 08:49:50 UTC ]
Hello from Book Marks, Lit Hub’s “rotten tomatoes for books!” How It Works: Every day, our staff scours the most important and active outlets of literary journalism—from established national broadsheets to regional weeklies and alternative litblogs—and logs their book reviews. Each of those... Continue reading at Literrary Hub
[ Literrary Hub | 2019-07-26 16:00:10 UTC ]
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Writing literary fiction stories? Forget what you’ve learned about complex characters and earned endings. What you really need is to include the required tropes. To help you out, we’ve created this handy checklist. Literary Fiction Trope Checklist _____ 1. Starts with character waking up _____... Continue reading at Electric Literature
[ Electric Literature | 2019-07-26 11:00:50 UTC ]
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Scrolling book-reveals for Lit Hub’s Climate Change Library I sighed, “Here we go again.” On the first day, “Part One: The Classics” listed 48 books written by mostly white authors. The four exceptions, Robert D. Bullard, a Black American and Winona LaDuke, an Indigenous North American, along... Continue reading at Literrary Hub
[ Literrary Hub | 2019-07-26 08:50:12 UTC ]
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Peg Alford Pursell’s second book, A Girl Goes Into the Forest, contains a collection of 67 short stories exploring moments in the lives of women. Pursell’s first book, Show Her a Flower, a Bird, a Shadow, was recognized as a 2017 Indies finalist and a finalist and honorable mention in fiction... Continue reading at Electric Literature
[ Electric Literature | 2019-07-25 11:00:57 UTC ]
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When I took my copy of Lemony Snicket’s The Carnivorous Carnival up to the check-out line at Barnes and Noble, the cashier flipped through the book and paused. She was sorry, she said, after a couple more puzzled page flips. There appeared to be a misprint. She called an employee in the kid’s... Continue reading at Electric Literature
[ Electric Literature | 2019-07-24 11:00:17 UTC ]
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It’s a cliché among authors that we write the books we wish existed, but two of the many reasons I set out to write The Lager Queen of Minnesota was because I wanted to read literary fiction set in a brewery, and frankly, I also wanted a reason to bum around the country researching contemporary... Continue reading at Electric Literature
[ Electric Literature | 2019-07-19 11:00:19 UTC ]
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It doesn’t feel like an exaggeration to say that Mira Jacob’s latest book Good Talk is a blueprint for a kinder world. In this graphic memoir, Jacob details a lifetime of difficult conversations—about politics, about race, about love and relationships. Seeing her handle these tricky talks,... Continue reading at Electric Literature
[ Electric Literature | 2019-07-18 11:00:20 UTC ]
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The Spanish philosopher and poet George Santayana once said, “Those who cannot remember the past are condemned to repeat it.” As a genre, historical fiction allows us to shuttle back in time to stand in the shoes, clogs, chopines, and go-go boots of people—real and imagined—to consider the... Continue reading at Electric Literature
[ Electric Literature | 2019-07-15 11:00:13 UTC ]
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As publishers vie to persuade us to pack their titles for the holidays, we chart the evolution of the ’beach read’Summer reads, beach reads, holiday reads … at this time of year, the publishing world works itself into a sweat trying to force its novels into our carry-on luggage, or over the... Continue reading at The Guardian
[ The Guardian | 2019-07-14 07:00:23 UTC ]
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In a popular trope present most often in YA novels, a character finds a secret key to another world. The key is rarely literal. More often, it’s an action as banal and everyday as leaning against a train platform barrier, walking into a phone booth, or looking for a winter coat in the back of... Continue reading at Electric Literature
[ Electric Literature | 2019-07-12 11:02:44 UTC ]
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As an American-born literature scholar and writer who became a permanent resident of Canada last year, I’ve spent a lot of time recently wondering how to differentiate between American literature and Canadian literature. Growing up in the 1980s, I saw these two nations as not just contiguous but... Continue reading at Electric Literature
[ Electric Literature | 2019-07-10 11:00:48 UTC ]
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Eve Rosen is an aspiring writer. She’s an editorial assistant at a literary imprint, but the office seems far friendlier to WASP-y men than to Jewish women like her. When her boss’s star writer, the longtime New Yorker reporter Henry Gray, invites Eve to spend the summer of 1987 as his research... Continue reading at Electric Literature
[ Electric Literature | 2019-07-09 14:00:32 UTC ]
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Perhaps the defining question of any book lover’s life is: should you read the hardcover or wait for it to come out in paperback? There are countless considerations to take into account when defining yourself as a Hardcover Person or a Paperback Type. Are you a weakling, or given to prancing... Continue reading at Electric Literature
[ Electric Literature | 2019-07-09 11:00:22 UTC ]
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Tochi Onyebuchi’s young adult books, the duology Beasts Made of Night and Crown of Thunder, are fantasy novels with a Nigeria-influenced setting. His upcoming War Girls is set in a post-nuclear, post-climate change Nigeria of 2172. Riot Baby, his first novel for adults (also forthcoming), is a... Continue reading at Electric Literature
[ Electric Literature | 2019-07-04 11:00:10 UTC ]
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We were mixing papier mache in art class. It was seventh grade. I was twelve. I liked that muddy mix, liked how it felt on my hands, liked spreading it on the balloon that had been distributed to me so that I could make a mask. I began to sing under my breath. I sang […] The post How a Comic... Continue reading at Electric Literature
[ Electric Literature | 2019-07-03 11:00:56 UTC ]
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Daniel A. Gross writes about what happened after he was offered ten thousand dollars as part of a new—and secretive—award for young writers. Continue reading at New Yorker
[ New Yorker | 2019-06-16 09:00:00 UTC ]
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TaleFlick, a company that fosters relationships between Hollywood and the publishing world, has just launched “The Marketplace,” an online platform where producers, publishers, agents, and writers can connect. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-06-12 04:00:00 UTC ]
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After several years of conservative views toward licensing in the publishing world, the pendulum seems to be swinging back toward a more expansive outlook. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-06-07 04:00:00 UTC ]
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Comedian Pete Holmes brings his serious/funny funny/serious take to the publishing world with 'Comedy Sex God' (Harper Wave, May), a book that is part autobiography, part philosophical inquiry, and part spiritual quest. Continue reading at Publishers Weekly
[ Publishers Weekly | 2019-05-30 04:00:00 UTC ]
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The London Book Fair's public-facing festival, London Book and Screen Week, opens with its annual CAMEO Awards program for adaptations from the publishing world. The post London Book and Screen Week Names 2019 CAMEO Award Winners appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2019-03-12 00:00:00 UTC ]
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