Wanted dead or archive: how film-makers repurpose old footage

Werner Herzog did it with Grizzly Man, Adam McKay did it with Vice – from archival libraries to old film canisters from charity shops, the past is waiting to be brought to lifeA child sits on a rock ledge buckling his shoe. The camera zooms towards a mysterious dark shape behind him as the boy scampers towards us in fright. A black bear has just lumbered into view. We may never know how this scene played out, who shot it, or why. These grainy images unfurl from a dusty film canister found in a charity shop. Around the world, limitless hours of undiscovered footage like this lie waiting for a new audience; from forgotten newsreels to public information films, astral visions shot by astronauts to “found footage” home movies. Welcome to the rich world of archive film-making.Directors have long recognised the value of marshalling this material to amplify or even determine their films. “I am firmly convinced that the topic you are interested in is something for a whole workshop, lasting a week,” says Werner Herzog, “or a book project, filling 300 pages or more.” Continue reading... Continue reading at 'The Guardian'

[ The Guardian | 2020-07-03 09:00:16 UTC ]

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