Trump, Stephanie Grisham, and the chaos at the North Korean border

Yesterday, the cameras were rolling as Donald Trump—to applause and a handshake from Kim Jong Un—became the first sitting US president to set foot in North Korea. The footage was shaky and broadcast at 2:45am Eastern time; nonetheless, it was a “made-for-TV moment,” as Politico’s Anita Kumar wrote, twice. Reporters across the US media framed Trump’s brief visit in similar, showy terms. “In terms of sheer performance,” ABC’s Jonathan Karl said, “this may be the biggest moment of the Trump presidency so far.” The Washington Post’s David Nakamura called it “One small step for the 45th president; one giant boost for his television ratings.” Trump, Nakamura writes, has “carefully cultivated elaborately staged moments that, strung together, reveal a president eager to play the roles of producer and director, calling the camera shots, hyping the drama and building public expectations for a big reveal.” The characterization of Trump as media manipulator recurs so often that it almost feels clichéd. But media optics were clearly front of mind during his weekend maneuverings. On Saturday, the president, who was in Japan for the G20 summit, offered Kim the chance of a meeting via Twitter. Trump seemed well aware of the stakes: if Kim had rejected the invitation, “everybody is going to say, ‘Oh, he was stood up by Chairman Kim,’” Trump said at a news conference in Osaka. He returned to that theme at a conference with Kim in the Demilitarized Zone just south of the Korean border: “you... Continue reading at 'Columbia Journalism Review'

[ Columbia Journalism Review | 2019-07-01 11:38:14 UTC ]

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The Daily Beast Will Now Offer Exclusive Content to Paying Subscribers

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[ AdWeek | 2018-06-27 00:00:00 UTC ]
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Dropbox Expands Media, Entertainment Partnerships

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[ Publishers Weekly | 2018-06-19 00:00:00 UTC ]
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News groups ask Facebook to stop treating media ads like political ads

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[ Advertising Age | 2018-06-12 00:00:00 UTC ]
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Publishers Association Issues Statement on UK VAT for Digital Content

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[ Publishing Perspectives | 2018-05-30 00:00:00 UTC ]
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Q&A: WSJ’s Membership GM on Why We’re Seeing More Paywalls for Digital Content

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[ AdWeek | 2018-05-22 00:00:00 UTC ]
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In the face of scandals, no Nobel literature prize will be awarded this year

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[ The Christian Science Monitor | 2018-05-05 00:00:00 UTC ]
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Wattpad Studios Formalizes Asian Expansion, Placing Dexter Ong in Hong Kong

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[ Publishing Perspectives | 2018-04-05 00:00:00 UTC ]
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Apple Is Buying Texture, the So-Called 'Netflix for Magazines,' in Subscription Push

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[ Advertising Age | 2018-03-12 00:00:00 UTC ]
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Rupert Murdoch to Facebook, Google: Pay for news

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[ Silicon Valley Business Journal | 2018-01-23 00:00:00 UTC ]
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[ Los Angeles Times | 2018-01-17 00:00:00 UTC ]
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'Brotopia' author defends book after Musk says she should be 'ashamed'

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[ Silicon Valley Business Journal | 2018-01-13 00:00:00 UTC ]
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Westwick axed from Agatha Christie drama after abuse allegations

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[ The Bookseller | 2018-01-06 00:00:00 UTC ]
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Fashion and Brand Photog Terry Richardson, Banned by Conde Nast, Now Under NYPD Scrutiny

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[ Advertising Age | 2018-01-03 00:00:00 UTC ]
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Magazine Media’s Year in Review: A Series of Interesting Choices

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[ Folio Magazine | 2017-12-21 00:00:00 UTC ]
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Disney-Fox deal: what it means for the Murdochs and their media empire

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[ The Guardian | 2017-12-14 00:00:00 UTC ]
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Fox News and the New York Times led Facebook engagement last month

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[ Fast Company | 2017-12-08 00:00:00 UTC ]
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Canada’s Greystone Announces Sexual Assault Collection; About Comics Republishes ‘Negro Motorist’ Guide

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[ Publishing Perspectives | 2017-12-05 00:00:00 UTC ]
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ESPN laying off 150 employees in another round of cuts

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[ Los Angeles Times | 2017-11-30 00:00:00 UTC ]
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Radhika Jones to succeed Graydon Carter as Vanity Fair editor, sources say

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[ The Guardian | 2017-11-12 00:00:00 UTC ]
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[ The New York Times | 2017-11-12 00:00:00 UTC ]
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