Eve Rosen is an aspiring writer. She’s an editorial assistant at a literary imprint, but the office seems far friendlier to WASP-y men than to Jewish women like her. When her boss’s star writer, the longtime New Yorker reporter Henry Gray, invites Eve to spend the summer of 1987 as his research assistant in Truro, […] The post This Novel About the Publishing Industry in 1987 Shows How Little Has Changed appeared first on Electric Literature. Continue reading at 'Electric Literature'
[ Electric Literature | 2019-07-09 14:00:32 UTC ]
Over the last decade there has been a push towards better representation in visual media. While movies and television have provided more examples of non-white characters in key roles, there has also been an uptick in linguistic diversity in film. Movies like Lulu Wang’s The Farewell, which slips... Continue reading at Electric Literature
[ Electric Literature | 2021-08-17 11:00:00 UTC ]
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The stories in The Rock Eaters often have an elastic relationship with reality, familiar political landscapes or emotional struggles warped by the uncanny. Some stories fall more explicitly within the bounds of science fiction or fantasy, but most show us a world nearly known, but not quite. In... Continue reading at Electric Literature
[ Electric Literature | 2021-08-13 11:00:00 UTC ]
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Hollywood. It’s one of those locations—it’s hard, somehow, to call it a concrete place—that conjures up all sorts of archetypes: the ruined writer, egomaniacal director, sleazy executive, out-of-control star. In writing my memoir Always Crashing in The Same Car—a book with elements of criticism,... Continue reading at Electric Literature
[ Electric Literature | 2021-08-11 11:00:00 UTC ]
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The 2020 Tokyo Games will be defined by many things—the anachronism of its title, the risk of superspreading, the welcome absence of Matt Lauer—but, hopefully, these Olympics will also be remembered for bringing mental health to the forefront of popular discourse. Simone Biles’ “twisties.”... Continue reading at Electric Literature
[ Electric Literature | 2021-08-10 11:00:00 UTC ]
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Denne Michele Norris has been named editor-in-chief of 'Electric Literature' starting on August 10. She succeeds Jess Zimmerman, who had held the role since 2017 before stepping away earlier this summer. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-08-09 04:00:00 UTC ]
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At 'Publishers Weekly,' Iyana Jones has been named digital media coordinator, Nathalie Mairena has been hired as digital assistant, and Sophia Stewart has joined as editorial assistant. Mike Morris has been promoted to director of digital operations. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-08-09 04:00:00 UTC ]
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It could have been soccer or tap dancing, it could have been Dungeons & Dragons or Model United Nations, but for editor Halimah Marcus and the contributors of the new anthology Horse Girls: Recovering, Aspiring, and Devoted Riders Redefine the Iconic Bond, what stamped them most profoundly... Continue reading at Electric Literature
[ Electric Literature | 2021-08-04 11:00:00 UTC ]
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Gina Frangello had a suspicion there was a hunger to talk about women who break the rules. In advance of the release of Blow Your House Down: A Story of Family, Feminism and Treason, she admits after some prodding, “I got more letters from women before this book came out than I ever received for... Continue reading at Electric Literature
[ Electric Literature | 2021-07-30 11:00:00 UTC ]
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The polite, white middle-class mass that encompasses most of the publishing industry doesn’t hold prejudice against foreigners, probably voted Remain, and yet they will still shut the door in your face. If you’re not British and middle-class, the chances are that you won’t understand the subtle... Continue reading at The Bookseller
[ The Bookseller | 2021-07-27 06:45:54 UTC ]
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Short stories, to me, are sparked by desire. I don’t mean they’re all love stories, though they certainly can be. I mean they are collisions or conflagrations, small or spectacular traffic accidents in which the desires of one person bump up against the impossible—whether in the form of some... Continue reading at Electric Literature
[ Electric Literature | 2021-07-26 11:00:00 UTC ]
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While the publishing industry had a relatively stable 2020 and a pretty sunny 2021 thus far, we are definitely not out of the woods yet, not with the mutating virus around. For Hong Kong/China print manufacturers, pandemic-induced challenges outside of their control are hampering the efforts to... Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-07-23 04:00:00 UTC ]
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I’ve never read the ending of a book first, though I do have a habit of flipping to the back before I begin, turning instead to the acknowledgments page. There are stories embedded here. Acknowledgments capture the real-life intimacies of the literary world and lay bare the backdrop of the... Continue reading at Electric Literature
[ Electric Literature | 2021-07-20 11:00:00 UTC ]
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It can be too easy to write villains— people stunted and incapable of love or compassion—when we write about opponents of our politics, especially in short stories, which have so much less space to detail nuance. Sometimes writing about villains and pointing the finger is necessary in a world... Continue reading at Electric Literature
[ Electric Literature | 2021-07-16 11:00:00 UTC ]
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Representation matters. Last year, using the 2020 Arthur C. Clarke Award submission list, I wrote about the problems facing the genre publishing industry here in the UK. Since then, using the same methodology, we’ve collated the data from 2013 through 2020 to look for progress. We could have... Continue reading at The Bookseller
[ The Bookseller | 2021-07-07 19:02:10 UTC ]
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I’ve been watching the Extremely Sad Show for Extremely Sad People for a few months now. I only learned this a few weeks ago, though. At an editorial meeting for the literary magazine where I’m a columnist, someone said she was watching “the extremely sad show for extremely sad people.” Another... Continue reading at Electric Literature
[ Electric Literature | 2021-06-30 11:00:00 UTC ]
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I first came to poet Rajiv Mohabir’s work through his cutting meditation on why he will never celebrate Indian Arrival Day, which Guyana celebrates on May 5th to commemorate the arrival of indentured Indian workers in the Caribbean. In the essay for the Asian American Writers Workshop’s The... Continue reading at Electric Literature
[ Electric Literature | 2021-06-22 11:00:00 UTC ]
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In our series “Can Writing Be Taught?” we partner with Catapult to ask their course instructors all our burning questions about the process of teaching writing. This month we’re featuring Cinelle Barnes, author of Monsoon Mansion: A Memoir and Malaya: Essays on Freedom. Barnes is a regular... Continue reading at Electric Literature
[ Electric Literature | 2021-06-17 11:00:00 UTC ]
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Neither authors nor publishing houses have figured out how to turn the new president into a compelling villain. Continue reading at The Atlantic
[ The Atlantic | 2021-06-02 09:00:00 UTC ]
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In March of 2004, my family and I were at home in Taiwan for the national election, and I got into my first-ever screaming match with a perfect stranger. The election choice, as always, was between the Kuo Ming Tang, which favors reunification with China; and the Democratic People’s Party, which... Continue reading at Electric Literature
[ Electric Literature | 2021-06-01 11:00:00 UTC ]
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A successful book club needs three things to thrive: delicious food, decent wine and wonderful people. Only the first two, food and wine, are easy to find. It is the third element, the people, that is like a jigsaw puzzle with a thousand pieces—something that promises to look like the pretty... Continue reading at Electric Literature
[ Electric Literature | 2021-05-27 11:00:00 UTC ]
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