Thinking Outside the Perceptual Box: Adam Wiśniewski-Snerg’s Robot, by Rachel Cordasco

Book Reviews Photo by Aideal Hwa / Unsplash If reading Adam Wiśniewski-Snerg’s Robot (Penguin Classics, 2021), translated by Tomasz Mirkowicz, makes you think about Stanislaw Lem’s work, you’re not alone. Indeed, both Robot and Lem’s His Master’s Voice (published in Polish just a few years apart) take up the fascinating but insoluble problem of whether or not we’re alone in the universe. One might even call Robot surrealist science fiction and liken it to Kafka’s work, or even Lem’s Memoirs Found in a Bathtub, since the main character spends most of his time wandering around the halls of an underground shelter, unsure of his own identity and his place in the community that has formed following an apocalyptic event on the surface. His identity confusion derives from his “birth” on an assembly line under a kind of bell jar. Given instructions by a mysterious Mechanism to study the people living in the shelter, the protagonist proceeds as if he is a living machine given a modicum of free will (as explained by the Mechanism). Much of the novel focuses on the protagonist figuring out why those around him are living underground and why many of them believe that he is a physicist named Poreyra. Encountering strange “statues” that weigh several tons in one of the shelter’s rooms, he eventually moves through a mirror there into a replica of the stricken city, where time moves at a fraction of the speed experienced in the shelter.... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-11-10 20:14:00 UTC ]
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