The Writer as Traveler and the Gift of Prismatic Vision: An Interview with Stephanie McKenzie, by Tom Halford

Interviews Photo by Sonette Watt Stephanie McKenzie is a poet and scholar who works for the English Programme at Grenfell Campus, Memorial University of Newfoundland. Her scholarly work has traced the flourishing of Indigenous literature in Canada during the 1960s and 1970s, undoubtedly contributing to the growing interest in studies of Indigenous authors. In 2007 she published Before the Country: Native Renaissance, Canadian Mythology with the University of Toronto Press, which has since been reprinted in 2019. In this text, McKenzie argues that Indigenous work needs to be understood on its own terms and that scholarly care needs to be given to the aesthetics and the languages of Indigenous authors. While her scholarly work has advanced consideration of underrepresented figures in Canada, her creative explorations have involved field work outside of the country. In order to write Bow’s Haunt: The Gusle’s Lessons (2018), McKenzie traveled to Serbia and lived there to study the gusle, an instrument that is integral to epic poetry. In Saviours in This Little Space for Now (2013), McKenzie explores the work and the lives of Emily Carr and Vincent van Gogh, tying threads together between these two disparate artists. Identity for McKenzie shifts and changes, but ultimately people are more connected than they might first appear to be. In Grace Must Wander (2009) and Cutting My Mother’s Hair (2006), she begins to explore these... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-03-09 21:39:45 UTC ]

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