Recently, the Trump administration told hospitals to stop sharing data on COVID-19, the disease caused by the coronavirus, with the Centers for Disease Control and Prevention. Instead, hospitals were to share information with a private company contracted by the Department of Human and Health Services. The company, TeleTracking Technologies, won its HHS contract in a noncompetitive process in April; around the same time, the department also contracted Palantir, the data-mining company founded by Peter Thiel, an early ally of Trump, to take on other data-collection functions from the CDC. The administration’s order, which took effect on Wednesday, seems a blow to transparency: the CDC published the patient data it collected from hospitals, but the TeleTracking database is private. Researchers and reporters who use the data are worried that vital information is being withheld for the sake of politics. Administration officials insist that bypassing the CDC is an efficiency measure, and that adequate data will remain available to the public. In an interview with Greta Van Susteren, of Gray TV, on Wednesday, Vice President Mike Pence said that “the American people can anticipate full transparency.” The same day, however, journalists noticed that the CDC’s website had taken down data on hospital capacity that it had previously shared. Online, experts reacted with dismay. “I had hoped it was a glitch, but no,” Charles Ornstein, a healthcare reporter and editor at ProPublica,... Continue reading at 'Columbia Journalism Review'
[ Columbia Journalism Review | 2020-07-17 11:55:45 UTC ]
Acclaimed art historian and writer Iain Pears is chairing the judging panel for the £10,000 Desmond Elliott Prize 2016. He will be joined by journalist and c.e.o. of website The Pool, Sam Baker, and the literary editor of the Independent on Sunday, Katy Guest. Continue reading at The Bookseller
[ The Bookseller | 2016-02-05 00:00:00 UTC ]
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It has been a bit more than nine years since David Foster Wallace delivered “Federer as Religious Experience,” the Magna Carta of what has become one of the most popular genres in sports journalism: the Roger Federer think piece. The now-classic essay, penned for the short-lived New York Times... Continue reading at Slate
[ Slate | 2015-09-11 00:00:00 UTC ]
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If we add an alert to one review, what about the others? Readers have different sensitivities; who is to say which details may spoil a book for any one of them?Readers hate spoilers, and one of the sacred duties of the literary editor is to make sure they don’t happen – or if they do, that... Continue reading at The Guardian
[ The Guardian | 2015-08-31 00:00:00 UTC ]
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A memorial service for Ion Trewin, who died earlier this year after a battle with cancer, is to be held in the autumn. Trewin, who was literary director of the Booker Prize Foundation, passed away on 8th April. Formerly literary editor of the Times, Trewin then worked at Weidenfeld &... Continue reading at The Bookseller
[ The Bookseller | 2015-07-24 00:00:00 UTC ]
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When it comes to high-calibre non-fiction, risk-averse trade publishing houses are producing too many copycat ‘smart thinking’ books that promise more than they deliver. But praise should be given to the university pressesAmid the ambient wails of doom about the publishing industry, I’d like to... Continue reading at The Guardian
[ The Guardian | 2015-06-26 00:00:00 UTC ]
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Josh Spero, author of Second Hand Stories and editor of Spear's Magazine, and the author Erica Wagner, a former literary editor of the Times mull the question of high tech and old books. Continue reading at BBC World
[ BBC World | 2014-10-25 00:00:00 UTC ]
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Literary world praises Miller for his intelligence, wit and literary acumen, and lasting pride in his Scottish rootsKarl Miller, founding editor of the London Review of Books, critic and award-winning author, has died, aged 83.After stints as literary editor of both the Spectator and the New... Continue reading at The Guardian
[ The Guardian | 2014-09-25 00:00:00 UTC ]
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Author of Morrissey Dr Gavin Hopps and former literary editor of The Times Erica Wagner, discuss the decision made by Penguin to classify Morrissey's new autobiography as a classic. Continue reading at BBC World
[ BBC World | 2013-10-11 00:00:00 UTC ]
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