The Roar of the Wronged: Aravind Adiga’s White Tiger, by Yahia Lababidi

Culture A still image from the film White Tiger (Netflix, 2021). After watching White Tiger, a writer contemplates the film alongside revolution in Egypt, Black Lives Matter protests, the film Parasite, and literary “complicated works of conscience.” Born and raised in Cairo, Egypt, I felt a familiar sorrow watching the deprivations and heartache depicted in Netflix’s The White Tiger (2021). Based on the debut novel by Indian author Aravind Adiga—which won the Man Booker Prize in 2008―the movie is compellingly adapted by acclaimed screenwriter and director Ramin Bahrani (in turn, a good friend of Adiga’s and to whom the novel was dedicated). As close and imaginative readers know, it is notoriously difficult for movies to do justice to books, especially to make intelligent films that are faithful to the text. White Tiger is one of those happy exceptions, a work of art in its own right, where much of the force of the novel is not lost in its translation. White Tiger is one of those happy exceptions, a work of art in its own right, where much of the force of the novel is not lost in its translation. Ostensibly, this difficult film exploring difficult realities is about modern-day India, in a changing, global world, the attendant systemic injustices of its caste system and corruption of ideals at every level: moral, political, spiritual. Really, however, it’s a meditation on poverty and its sins, the abuses of those in power,... Continue reading at 'World Literature Today'

[ World Literature Today | 2021-01-27 20:33:27 UTC ]
News tagged with: #human beings #masterful works #man booker prize #indian author #debut novel

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