I’ve been watching the Extremely Sad Show for Extremely Sad People for a few months now. I only learned this a few weeks ago, though. At an editorial meeting for the literary magazine where I’m a columnist, someone said she was watching “the extremely sad show for extremely sad people.” Another editor immediately asked, “You […] The post “The Leftovers” Is Teaching Me Who I Want to Be After Covid appeared first on Electric Literature. Continue reading at 'Electric Literature'
[ Electric Literature | 2021-06-30 11:00:00 UTC ]
Take a kaleidoscope, peer inside its lens and turn the dial: the jeweled-mosaic pattern within deforms and reforms anew. Asako Serizawa mirrored her debut short story collection Inheritors after this complex design. Out of chronological sequence, the thirteen short stories locate twelve related... Continue reading at Electric Literature
[ Electric Literature | 2021-11-11 12:00:00 UTC ]
More news stories like this
Over the past few years, there’s been a lot of heated discourse surrounding a trend in book covers in which many new releases opt for variations of the same colorful abstractions: The Blob. Somehow deemed appropriate for everything from dystopian debuts to literary fiction bestsellers, these... Continue reading at Electric Literature
[ Electric Literature | 2021-11-05 11:00:00 UTC ]
More news stories like this
To hear Weng Pixin tell it, Let’s Not Talk Anymore started out as a kind of “fuck you” move after a particularly bad fight with her mom but—as these things tend to go—it gradually transformed into a project to locate herself within the moth-eaten story of her matrilineal line. Moving back and... Continue reading at Electric Literature
[ Electric Literature | 2021-11-04 11:00:00 UTC ]
More news stories like this
Dear Readers, In what feels like a never ending cycle of disappointing media news, last week we in the literary community were astonished to learn that after two decades The Believer magazine will discontinue publication. (Since 2017, The Believer has been published by the Black Mountain... Continue reading at Electric Literature
[ Electric Literature | 2021-10-28 11:05:00 UTC ]
More news stories like this
This spooky season, we’ve curated a reading list for every type of reader. Craving the adrenaline rush of a horror novel full of jump scares? Looking to be spooked on a journey through the dark, haunted woods? What about a twisted retelling of classic Russian fairytales? Here are the books you... Continue reading at Electric Literature
[ Electric Literature | 2021-10-25 11:00:00 UTC ]
More news stories like this
Months after the departure of director Joshua Wolf Shenk, UNLV's institute announced on Tuesday it will stop producing the Believer next spring. Continue reading at Los Angeles Times
[ Los Angeles Times | 2021-10-19 18:31:13 UTC ]
More news stories like this
Today, T. S. Eliot’s The Waste Land first appeared in print in The Criterion, a quarterly British literary magazine founded and edited by Eliot. The poem’s final form was heavily influenced by Ezra Pound, who made extensive cuts and revisions to Eliot’s manuscript. Eliot once said of his mentor... Continue reading at Literrary Hub
[ Literrary Hub | 2021-10-15 19:30:10 UTC ]
More news stories like this
I think a lot of us believe in ghosts. In fact, many of us are likely haunted by them. I’m talking about emotional ghosts, of course. My debut short story collection, Those Fantastic Lives: And Other Strange Stories, has a particular fascination with ghosts. In my stories, there are certainly... Continue reading at Electric Literature
[ Electric Literature | 2021-10-14 11:00:00 UTC ]
More news stories like this
Like the complex Philippine history the book aims to depict, there is no single sentence that can sum up Albert Samaha’s Concepcion, especially when he renders that history through the lens of his own diasporic family, dating back to his ancestors’ first encounter with Europeans. Though... Continue reading at Electric Literature
[ Electric Literature | 2021-10-13 11:00:00 UTC ]
More news stories like this
As a Filipino American immigrant, I’ve been aware of my invisibility from the time I set foot in the United States. I perceived it when coworkers looked past me, when store clerks and waiters talked to my white companions instead of me, and when editors and literary agents told me Filipino... Continue reading at Electric Literature
[ Electric Literature | 2021-09-28 11:05:21 UTC ]
More news stories like this
In our series “Can Writing Be Taught?” we partner with Catapult to ask their course instructors all our burning questions about the process of teaching writing. This month we’re featuring Made in China author Anna Qu, who will be leading a year-long Online Memoir Generator for writers of color... Continue reading at Electric Literature
[ Electric Literature | 2021-09-28 11:00:00 UTC ]
More news stories like this
Flash fiction has never been hotter. A tectonic shift over the last 20 years in how narrative is conveyed—fueled largely by the online journal’s rise from (mostly) irrelevance to somewhere near the top of the literary fiction food chain—has created the perfect environment for disseminating... Continue reading at Electric Literature
[ Electric Literature | 2021-09-20 11:00:00 UTC ]
More news stories like this
The flash fiction literary community is like an extended family. If you are a writer and reader of flash, it is in all likelihood that your inner circle of literary peeps are other flash fiction folks or, you at least, know of one another. Six degrees is more like one or two in this community.... Continue reading at Electric Literature
[ Electric Literature | 2021-09-17 11:00:00 UTC ]
More news stories like this
When I first meet a writer on the page, I pose a simple question: What don’t you ask permission for? In Yiyun Li’s case, the answer is her freedom. Individualism might seem inevitable for a woman who was born in China and whose early work responds to authoritarianism, but—reading Li—one senses... Continue reading at Electric Literature
[ Electric Literature | 2021-09-15 11:00:00 UTC ]
More news stories like this
Three print magazines and two digital publications—including Bellevue Literary Review and Full Stop—were named winners of the fourth annual Whiting Literary Magazine Prizes, taking home a combined total of $144,000 in funding. The post Whiting Literary Magazine Prizes Name 2021 Winners appeared... Continue reading at The Millions
[ The Millions | 2021-09-09 13:00:06 UTC ]
More news stories like this
The winners of the fourth annual Whiting Literary Magazine Prizes have been announced, with three print magazines and two digital publications, including 'Bellevue Literary Review' and 'Full Stop,' taking home a combined total of $144,000 in funding. Continue reading at Publishers Weekly
[ Publishers Weekly | 2021-09-09 04:00:00 UTC ]
More news stories like this
For Women in Translation month, we’ve curated a reading list of novels and short story collections written and translated by women. Exploring everything from gender biases and millennial burnout in the Japanese workplace to a toxic relationship in Iceland, these stories expand our perspectives... Continue reading at Electric Literature
[ Electric Literature | 2021-08-25 11:00:00 UTC ]
More news stories like this
Over the last decade there has been a push towards better representation in visual media. While movies and television have provided more examples of non-white characters in key roles, there has also been an uptick in linguistic diversity in film. Movies like Lulu Wang’s The Farewell, which slips... Continue reading at Electric Literature
[ Electric Literature | 2021-08-17 11:00:00 UTC ]
More news stories like this
The stories in The Rock Eaters often have an elastic relationship with reality, familiar political landscapes or emotional struggles warped by the uncanny. Some stories fall more explicitly within the bounds of science fiction or fantasy, but most show us a world nearly known, but not quite. In... Continue reading at Electric Literature
[ Electric Literature | 2021-08-13 11:00:00 UTC ]
More news stories like this
Hollywood. It’s one of those locations—it’s hard, somehow, to call it a concrete place—that conjures up all sorts of archetypes: the ruined writer, egomaniacal director, sleazy executive, out-of-control star. In writing my memoir Always Crashing in The Same Car—a book with elements of criticism,... Continue reading at Electric Literature
[ Electric Literature | 2021-08-11 11:00:00 UTC ]
More news stories like this