When is a book not a book? When it is performed by a starry cast of hundreds. Except it has always been more complicated than thatNews this week of a 17% hike in the UK’s audiobook sales might seem like a niche business story, but it raises an existential question. What exactly is an audiobook today? Is it a book? Is it a play? Or is it becoming something else entirely? What is clear is that a jostle for market dominance is driving it into new dimensions. The streaming platform Spotify followed its move into podcasting two years ago with the launch of an audiobooks business. Though it has yet to start making its own recordings, last autumn it made a deal for 200,000 audiobooks to be available to its premium users.Not to be outdone, Amazon-owned Audible – accustomed to being the market leader – upped its game, hiring the Oscar-winning director Sam Mendes to record multi-voice versions of the Dickens novels Oliver Twist and David Copperfield, and announcing last month that it had reached an agreement for a recording of JK Rowling’s Harry Potter series, voiced by more than 100 actors and featuring a “groundbreaking new soundscape”. The new Potter audiobooks, it said, would not usurp but “sit alongside and complement” conventional recordings by Stephen Fry and Jim Dale, which Audible also hosts. Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2024-05-10 17:25:03 UTC ]
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There are early signs that Spotify’s addition of audiobooks to its streaming service is helping drive audiobook consumption — already a growing market. Continue reading at The New York Times
[ The New York Times | 2024-01-29 17:00:09 UTC ]
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Audiobook publisher RBmedia has acquired Berrett-Koehler’s audiobook publishing business, including its backlist, and will publish audiobook editions of new Berrett-Koehler titles under its business audiobook brand, Ascent Audio, beginning this year. Continue reading at Publishers Weekly
[ Publishers Weekly | 2024-01-29 05:00:00 UTC ]
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Independent publisher The Midst launched on its new website Tuesday, after more than four years of chronicling perimenopause and the modern midlife experience as a personal blog called Jumble and Flow. The publisher is one of a growing number of media companies to plant... Continue reading at AdWeek
[ AdWeek | 2024-01-23 13:42:51 UTC ]
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A UK-US deal, the Open Road-owned Bloodhound in the UK is to see Dreamscape produce at five audiobooks from its list monthly. The post UK-US: Open Road’s Bloodhound Books in Audiobook Deal With Dreamscape appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2024-01-19 20:47:58 UTC ]
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The audiobook might be less, well, useful than it is entertainingly honest, unfiltered and even bizarre. Continue reading at The New York Times
[ The New York Times | 2024-01-12 10:00:27 UTC ]
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With such an incredible range of choices of new audiobooks out in January, you’re sure to find an audiobook perfect for you. Continue reading at Book Riot
[ Book Riot | 2024-01-11 11:31:00 UTC ]
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The 2024 edition of the German Audiobook Prize issues its shortlists in seven categories, covering books, radio plays, and podcasts. The post The German Audiobook Prize Names Its 2024 Shortlists appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2024-01-10 12:31:32 UTC ]
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Mid-century encyclopaedias claimed the power to decide what counted as knowledge and what didn’t – much as online publishing platforms and social media companies do today. Continue reading at The Conversation
[ The Conversation | 2024-01-09 17:02:30 UTC ]
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Reading her audiobook memoir, “How to Say Babylon,” the poet gives voice to her Jamaican roots, her early ambition and the Rastafari father who would have quashed it. Continue reading at The New York Times
[ The New York Times | 2024-01-05 13:11:49 UTC ]
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In his last annual letter to authors as Hachettte Book Group CEO, Michael Pietsch hit on a number of topics, including the publisher’s steps to improve its marketing efforts. Continue reading at Publishers Weekly
[ Publishers Weekly | 2023-12-26 05:00:00 UTC ]
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In “Alice Sadie Celine,” Sarah Blakley-Cartwright’s first novel for adults, a lauded feminist becomes entangled with her daughter’s best friend. Continue reading at The New York Times
[ The New York Times | 2023-12-22 10:00:21 UTC ]
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A new volume of the Black feminist’s previously unpublished writing is read in audiobook form by a full cast of Black women. Continue reading at The New York Times
[ The New York Times | 2023-12-15 10:00:20 UTC ]
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Jim Milliot, PW’s outgoing editorial director, has been awarded the first-ever Frederic G. Melcher Lifetime Achievement Award for his decades of work covering the publishing industry. Continue reading at Publishers Weekly
[ Publishers Weekly | 2023-12-15 05:00:00 UTC ]
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Now in its 25th year, Ingram’s digital printing group has deepened its ties with publishers and expanded its international footprint. Continue reading at Publishers Weekly
[ Publishers Weekly | 2023-12-15 05:00:00 UTC ]
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US trade revenue was down 0.1 percent year-to-date, and down 0.4 percent for the month of September YTD, in the AAP's StatShot report. The post AAP’s September StatShot: US Book Market Up 0.8 Percent YTD appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2023-12-12 16:24:19 UTC ]
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At the 2023 Guadalajara International Book Fair, three Mexican children’s publishers discuss what they describe the sector’s boom. The post Children’s Books: Publishers Discuss the Mexican Market’s Evolution appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2023-12-08 19:37:01 UTC ]
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Keong Sim reads the audiobook version of the author’s second posthumous collection, “Songs on Endless Repeat.” Continue reading at The New York Times
[ The New York Times | 2023-12-08 13:52:17 UTC ]
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In Bend, Ore., Jessica Hammerman and Isaac Peterson have founded a small independent publishing house focused on literary fiction and memoir. Continue reading at Publishers Weekly
[ Publishers Weekly | 2023-12-08 05:00:00 UTC ]
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Small- and medium-sized publishers make up 50.1 percent of the Italian book market, reports AIE at today's Più Libri Più Liberi opening. The post Italy: Più Libri Più Liberi Opens Today in a ‘Stable Market’ appeared first on Publishing Perspectives. Continue reading at Publishing Perspectives
[ Publishing Perspectives | 2023-12-06 19:33:32 UTC ]
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