The Guardian view on arts prizes: a 20th-century phenomenon? | Editorial

This year’s Booker and Turner prizes tell us artists and even judges are repudiating the winner-takes-all award. It may be time to find new ways to celebrate the artsThe past year has been a curious one for cultural prizes. The Booker, when the judges failed to agree on a single winner, ended up being split between two authors, in a move that broke the rules and has been widely seen as a fudge. The Turner was upended, not by its judges but by its participants. The shortlisted artists asked to be considered as a collective; the result was that this year there were effectively four winners. Other prizes have seen winners splitting their winnings – author Olivia Laing, for example, voiced a similar sentiment to that put forward by the Turner artists, when she won the James Tait Black memorial prize for fiction this summer. Her novel, Crudo, she said, was written “against an era of walls and borders, winners and losers. Art doesn’t thrive like that and I don’t think people do either. We thrive on community, solidarity and mutual support.”It is too early to declare the death of arts prizes. But they are certainly showing some cracks. The James Tait Black is the oldest British literary award, dating back to 1919. But the most celebrated awards, the Booker and the Turner, date from the late 20th century – 1969 and 1984 respectively – and were made household names by institutional or industry backing, sponsorship and a presence on TV. The Costa prize, which started as the... Continue reading at 'The Guardian'

[ The Guardian | 2019-12-15 18:25:01 UTC ]
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