The Creator review: A visually stunning, yet deeply shallow, AI epic

Equal parts Terminator, The Golden Child and The Matrix prequel, The Creator is yet another sci-fi epic about a war between humans and AI, one told by someone who just can't shut up about their time backpacking across Asia. Director Gareth Edwards clearly understands the power of scale and spectacle, something he demonstrated with his indie knockout Monsters, as well as his big-budget efforts, Godzilla and Rogue One. But The Creator, like those films, also suffers from a disjointed narrative, weak characters and a surprisingly shallow exploration of its (potentially interesting!) themes. It's a shame — at times, the film also proves he can be a genuine visual poet.  The Creator stars John David Washington, fresh off of Christopher Nolan's Tenet, as Joshua, an American soldier embedded among a group of AI rebels as a double-agent. When an operation goes wrong early on, he loses his rebel wife Maya (Gemma Chan) and the will to keep fighting the war between the anti-AI West and the AI-loving country of New Asia. (Yes, this is a film where the many people, cultures and languages throughout Asia are flattened into a single nation.) Photo by 20th Century Studios Through a series of clunky newsreels that open the film, we see the rise of artificial intelligence as a potential boon for mankind, as well as the creation of Simulants, AI-powered beings with human-like bodies and skin. When a nuclear bomb hits Los Angeles, obliterating millions in seconds,... Continue reading at 'Engadget'

[ Engadget | 2023-09-29 17:30:21 UTC ]
News tagged with: #missed opportunity #big screen #comic book

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Microsoft is teaming up with Semafor on AI-assisted news stories

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[ Engadget | 2024-02-05 12:43:20 UTC ]
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[ The New York Times | 2024-02-03 10:14:55 UTC ]
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Publishers’ Upbeat Assessments of AI Policy Developments

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[ Publishing Perspectives | 2024-02-02 19:47:50 UTC ]
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[ The New York Times | 2024-02-02 10:00:17 UTC ]
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The Netherlands’ Wolters Kluwer Adds ‘NEJM AI’

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[ Publishing Perspectives | 2024-02-01 22:45:46 UTC ]
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The Books Behind the 2024 Academy Award Nominations, Reviewed

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[ Literrary Hub | 2024-01-30 09:55:47 UTC ]
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New Nonprofit Launches to ‘Certify’ Copyright-Friendly AI Practices

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[ Publishers Weekly | 2024-01-17 05:00:00 UTC ]
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[ Publishers Weekly | 2024-01-17 05:00:00 UTC ]
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[ Publishing Perspectives | 2024-01-16 13:58:06 UTC ]
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[ The New York Times | 2024-01-14 10:00:16 UTC ]
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[ The New York Times | 2024-01-12 10:00:27 UTC ]
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A Rush of Indian Stories: A Review of Redolent Rush, by Dustin Pickering

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[ The New York Times | 2024-01-05 13:11:49 UTC ]
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AI: Copyright Challenges Now Include a New York Times Lawsuit

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[ Publishing Perspectives | 2024-01-04 19:59:05 UTC ]
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‘Where does the bot end and human begin?’: what the legendary @Horse_ebooks can teach us about AI

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[ The Guardian | 2024-01-03 15:00:04 UTC ]
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Beware the ‘botshit’: why generative AI is such a real and imminent threat to the way we live | André Spicer

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[ The Guardian | 2024-01-03 12:00:01 UTC ]
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Book Review: ‘A Hitch in Time,’ by Christopher Hitchens

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[ The New York Times | 2024-01-01 10:02:01 UTC ]
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