After the success of self-published authors like Andy Weir and EL James, Hollywood is scooping up the rights to books as fast as it can. But why – and is it always good for the author?After watching Quentin Tarantino’s Kill Bill, self-published author Mark Dawson was inspired to create his own answer to the film’s heroine Beatrix “Black Mamba” Kiddo. And now Dawson – and his character government-employed assassin Beatrix Rose – are set to take on Hollywood, with his series on the verge of a major television deal, complete with a “triple A” producer.Admitting he had a “‘holy shit’ moment” when he was told who the producer was, the Salisbury-based former lawyer said he had initially signed a “shopping agreement” after an approach through his website. “They have attached a writer and an extremely well-known Hollywood figure and director to it,” Dawson says. “The people linked are all serious players – household names – and they have pitched it to half a dozen studios and from that they have got an agreement [to develop it] for television.”As long as self-published authors take on an agent they should be fine. Otherwise they are mincemeat Continue reading... Continue reading at 'The Guardian'
[ The Guardian | 2017-05-15 00:00:00 UTC ]
As much as a quarter of fiction ebooks sold in the UK could be from self-published writers, as... Continue reading at The Bookseller
[ The Bookseller | 2012-02-17 00:00:00 UTC ]
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A non-profit body representing the interests of self-published authors will launch this spring... Continue reading at The Bookseller
[ The Bookseller | 2012-02-06 00:00:00 UTC ]
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