S. by JJ Abrams and Doug Dorst – review

Mark Lawson finds authorial controversy and romantic scrawl in an imitation library bookCreators of popular television have often invoked comparisons with written fiction: Dennis Potter and Steve Bochco both used the term "TV novel" to describe series such as Potter's The Singing Detective and Bochco's LA Law and NYPD Blue. Both screenwriters also published novels, and this switchover tradition continues with JJ Abrams, the power behind Alias and Lost.Perhaps surprisingly, writers who rethought the structures of television often became reverentially conventional on the page: Potter's Ticket to Ride and Bochco's Death by Hollywood had impressive plot and dialogue, as you might expect, but an Edwardian reader would be at ease with the novels' approach to narrative and chapters.Abrams, though, has come up with a novel of such structural daring that the first task of the audience is to work out a way of reading it. And I say "come up with", rather than "written", because one of the conventions challenged is that of authorship. On programmes such as Lost and Alias, Abrams operated as what American TV calls a "showrunner", overseeing every decision and episode but not writing every episode himself. With S., Abrams is a sort of "novelrunner", having conceived the project but left the prose to someone else: Doug Dorst, a US novelist and creative writing tutor.You suspect that this collaboration with Abrams must have taught Dorst a few things about the nature and creation of... Continue reading at 'The Guardian'

[ The Guardian | 2013-11-13 00:00:00 UTC ]

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S. by JJ Abrams and Doug Dorst – review

Mark Lawson finds authorial controversy and romantic scrawl in an imitation library bookCreators of popular television have often invoked comparisons with written fiction: Dennis Potter and Steve Bochco both used the term "TV novel" to describe series such as Potter's The Singing Detective and... Continue reading at The Guardian

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